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Dead Man (BFI Modern Classics)
Jonathan Rosenbaum
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Description for Dead Man (BFI Modern Classics)
Paperback. When it was released, "Dead Man" puzzled many audiences and critics. Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns. Series: BFI Film Classics. Num Pages: 96 pages, biography. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 190 x 135 x 9. Weight in Grams: 170.
When it was released, "Dead Man" puzzled many audiences and critics. Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns.
When it was released, "Dead Man" puzzled many audiences and critics. Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns.
Product Details
Publisher
British Film Institute
Number of pages
94
Format
Paperback
Publication date
2000
Series
BFI Film Classics
Condition
New
Number of Pages
96
Place of Publication
, United Kingdom
ISBN
9780851708065
SKU
V9780851708065
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-50
About Jonathan Rosenbaum
Jonathan Rosenbaum is the film critic of the Chicago Reader. Among his books are Placing Movies (1995); Movies as Politics (1997); and a study of Greed (1993) in the BFI Film Classics series.
Reviews for Dead Man (BFI Modern Classics)
'The book follows the narrative and picks out some of the stand-out cameos as well as some of the choice of dialogue, music, style and violence within. Just another good choice from the BFI/Palgrave on another solid film with heavy content.' - Filmwerk