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Deleuze and Film
D (Ed) Martin-Jones
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Description for Deleuze and Film
Paperback. Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the manner that Deleuze described in relation to examples of the art of film in his Cinema books), and the global diversity of this cinematic 'thinking' in popular international film. Editor(s): Martin-Jones, David; Brown, William. Series: Deleuze Connections. Num Pages: 256 pages, 3 black & white line drawings. BIC Classification: APFA; HPCF. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 14. Weight in Grams: 390. Series: Deleuze Connections. 256 pages, 3 black & white line drawings. Editor(s): Martin-Jones, David; Brown, William. Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the manner that Deleuze described in relation to examples of the art of film in his Cinema books), and the global diversity of this cinematic 'thinking' in popular international film. Cateogry: (P) Professional & Vocational. BIC Classification: APFA; HPCF. Dimension: 234 x 156 x 14. Weight: 390.
A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze Deleuze and Film explores how different films from around the world 'think' about a range of topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books. Key Features * Analyses several Asian films: including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love, ... Read more
A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze Deleuze and Film explores how different films from around the world 'think' about a range of topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books. Key Features * Analyses several Asian films: including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love, ... Read more
Product Details
Publisher
Edinburgh University Press
Number of pages
256
Format
Paperback
Publication date
2012
Series
Deleuze Connections
Condition
New
Number of Pages
248
Place of Publication
Edinburgh, United Kingdom
ISBN
9780748641208
SKU
V9780748641208
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-10
About D (Ed) Martin-Jones
David Martin-Jones is a Senior Lecturer in Film Studies at The University of St Andrews in Scotland. William Brown is a Lecturer in Film at Roehampton University, London
Reviews for Deleuze and Film
Deleuze and Film presents a rich collection of essays that takes Deleuze's work on cinema out of its dominant Eurocentric corpus. Taking us on an inspiring world tour of film analysis and creative conceptual thinking, this book testifies to the continuing productive generosity of Deleuze's film-philosophy, and includes a dynamic range and depth of film scholarship.
Patricia Pisters, Professor ... Read more
Patricia Pisters, Professor ... Read more