23%OFF
Stock image for illustration purposes only - book cover, edition or condition may vary.
Ex-Cinema: From a Theory of Experimental Film and Video
Akira Lippit
€ 74.70
€ 57.54
FREE Delivery in Ireland
Description for Ex-Cinema: From a Theory of Experimental Film and Video
Hardback. What does it mean for film and video to be experimental? This title features a collection of essays framed by the concept "ex-" - meaning from, outside, and no longer. It explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Num Pages: 202 pages, 25 b/w photographs. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 231 x 160 x 19. Weight in Grams: 436.
What does it mean for film and video to be experimental? In this collection of essays framed by the concept "ex-" - meaning from, outside, and no longer - Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. "Ex-Cinema" is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.
What does it mean for film and video to be experimental? In this collection of essays framed by the concept "ex-" - meaning from, outside, and no longer - Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. "Ex-Cinema" is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.
Product Details
Publisher
University of California Press United States
Number of pages
201
Format
Hardback
Publication date
2012
Condition
New
Number of Pages
202
Place of Publication
Berkerley, United States
ISBN
9780520274129
SKU
V9780520274129
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Akira Lippit
Akira Mizuta Lippit is Professor of Cinematic Arts, Comparative Literature, and East Asian Languages and Cultures at the University of Southern California. He is on the board of Film Quarterly, and is author of Atomic Light (Shadow Optics) and Electric Animal: Toward a Rhetoric of Wildlife.
Reviews for Ex-Cinema: From a Theory of Experimental Film and Video