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Feminism and Film Theory
Constance . Ed(S): Penley
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Description for Feminism and Film Theory
paperback. Editor(s): Penley, Constance. Num Pages: 280 pages. BIC Classification: APFA; JFFK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 150 x 9. Weight in Grams: 446.
First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Emphasizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spectatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be ... Read more
First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Emphasizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spectatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be ... Read more
Product Details
Format
Paperback
Publication date
1988
Publisher
Law Book Co of Australasia Australia
Number of pages
280
Condition
New
Number of Pages
280
Place of Publication
London, United Kingdom
ISBN
9780415901086
SKU
V9780415901086
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
About Constance . Ed(S): Penley
Constance Penley teaches film history and theory at the University of Rochester and is co-editor of Camera Obscura: A journal of Feminism and Film Theory. She 1s the author of The Future of an Illusion: Film, Feminism, and Psychoanalysis.
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