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Godard
Karen Smolens
€ 38.99
€ 32.73
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Description for Godard
Paperback. Richard Roud's seminal study of the director Jean-Luc Godard places the director in the context of modern European cinema, on which Godard's work has been hugely influential, and considers Godard's 'political' cinema, including the ferocious masterpiece 'Weekend'. This new edition includes an introduction by Michael Temple. Series: BFI Silver. Num Pages: 264 pages, 115 black & white illustrations, biography. BIC Classification: APFA; APFB. Category: (U) Tertiary Education (US: College). Dimension: 189 x 135 x 18. Weight in Grams: 336. Series: BFI Silver. 216 pages, 115 black & white halftones. Richard Roud's seminal study of the director Jean-Luc Godard places the director in the context of modern European cinema, on which Godard's work has been hugely influential, and considers Godard's 'political' cinema, including the ferocious masterpiece 'Weekend'. This new edition includes an introduction by Michael Temple. Cateogry: (U) Tertiary Education (US: College). BIC Classification: APFA; APFB. Dimension: 189 x 135 x 18. Weight: 336.
Richard Roud's Godard, first published in 1967 as 'Number One' in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a unique intimacy between the author and his subject. Roud's provocative and far-reaching analysis shows an intuitive understanding of the aesthetic, intellectual and political context in which Godard worked, paying particular attention to his 'political' cinema, including the ferocious masterpiece Weekend (1967).
In his foreword to this reissue, Michael Temple provides an overview of film criticism on Godard, arguing that, more than forty years since its ... Read more
Richard Roud's Godard, first published in 1967 as 'Number One' in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a unique intimacy between the author and his subject. Roud's provocative and far-reaching analysis shows an intuitive understanding of the aesthetic, intellectual and political context in which Godard worked, paying particular attention to his 'political' cinema, including the ferocious masterpiece Weekend (1967).
In his foreword to this reissue, Michael Temple provides an overview of film criticism on Godard, arguing that, more than forty years since its ... Read more
Product Details
Publisher
Bloomsbury Publishing PLC
Number of pages
216
Format
Paperback
Publication date
2010
Series
BFI Silver
Condition
New
Number of Pages
264
Place of Publication
, United Kingdom
ISBN
9781844573547
SKU
V9781844573547
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-50
About Karen Smolens
RICHARD ROUD (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion ... Read more
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