The Big Show. British Cinema Culture in the Great War (1914-1918).
Michael Hammond
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Description for The Big Show. British Cinema Culture in the Great War (1914-1918).
Hardback. The Big Show looks at the role played by cinema in British cultural life during World War One. Hammond shows how the British film industry and British audiences responded to the traumatic effects of the War, and contends that the War's significant effect was to expedite the cultural acceptance of cinema into the fabric of British social life. Series: Exeter Studies in Film History. Num Pages: 316 pages, 20 b/w illustrations. BIC Classification: 1DBK; 3JJF; APFA; HBTB; JFCA. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 234 x 156 x 25. .
The Big Show looks at the role played by cinema in British cultural life during World War One.
In writing the definitive account of film exhibition and reception in Britain in the years 1914 to 1918, Michael Hammond shows how the British film industry and British audiences responded to the traumatic effects of the Great War.
The author contends that the War’s significant effect was to expedite the cultural acceptance of cinema into the fabric of British social life. As a result, by 1918, cinema had emerged as the predominant leisure form in British social ... Read more
Product Details
Format
Hardback
Publication date
2005
Publisher
University of Exeter Press United Kingdom
Number of pages
316
Condition
New
Series
Exeter Studies in Film History
Number of Pages
316
Place of Publication
Exeter, United Kingdom
ISBN
9780859897587
SKU
V9780859897587
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-2
About Michael Hammond
Michael Hammond is a lecturer in Film in the Department of English at the University of Southampton. He has written extensively in the area of reception of early cinema in Britain, including a contribution to Young and Innocent? The Cinema in Britain, 1896-1930, edited by Andrew Higson (UEP, 2002).
Reviews for The Big Show. British Cinema Culture in the Great War (1914-1918).
‘…the diversity of materials focused in this book through the specifics of cinema exhibition in Southampton provides vivid access to the social, cultural and aesthetic currents that must cross in any historicized moment of viewing. It is therefore both essential reading for anyone concerned with pursuing the further development of cinema in Britain and a model for historical analysis.’ (Screen, ... Read more