"Drawing on recent research in neurobiology and cognitive psychology as well as her own thinking about currently prevalent topics in cinema studies and film-philosophy, [Pisters] builds a case for the neuro-image that is usually persuasive and sometimes dazzling . . . I recommend The Neuro-Image to everyone interested in Deleuzian film theory . . . I commend her intellectual derring-do in expanding the Deleuzian dyad of movement-image and time-image with an innovative new meta-image paradigm. Its grounding in the particularities of twenty-first-century screen practice makes it a timely intervention, and I suspect that Deleuze would have welcomed it."—David Sterritt, New Review of Film and Television Studies "[A] magisterial work . . . Like all books worth reading, Pisters's work on the neuro-image raises more questions than it answers."—Claire Colebrook, Deleuze Studies "This outstanding work of scholarship makes a major contribution to the field of film studies and to the understanding of the work of Gilles Deleuze. The Neuro-Image extends Deleuze's questions and concerns by thinking through recent developments in film and moving-images culture and succeeds magnificently in mobilizing Deleuze's ideas in order to discover something new."—Steven Shaviro, Wayne State University