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Untimely Affects: Gilles Deleuze and an Ethics of Cinema
Nadine Boljkovac
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Description for Untimely Affects: Gilles Deleuze and an Ethics of Cinema
Paperback. How does cinema function as a means of ethical resistance and thought? Focusing on Alain Resnais and Chris Marker's cinemas, this book uses the philosophy of Gilles Deleuze to ask how cinema can enable us to see and act in an ethical way. It analyses the cinematic medium itself through concepts of affect, sensation and actual virtual violence. Series: Plateaus - New Directions in Deleuze Studies. Num Pages: 208 pages, 14 b&w illustrations. BIC Classification: APFA; HPN; HPS. Category: (G) General (US: Trade). Dimension: 236 x 157 x 15. Weight in Grams: 322.
How does cinema function as a means of ethical resistance and thought? Focusing on Alain Resnais and Chris Marker's cinemas, Boljkovac uses the philosophy of Gilles Deleuze to ask how cinema can enable us to see and act in an ethical way. It offers a new perspective on the relationships between poststructuralist philosophy, ethics and modern cinema. It reads and analyses the cinematic medium itself through concepts of affect, sensation and actual virtual violence.
How does cinema function as a means of ethical resistance and thought? Focusing on Alain Resnais and Chris Marker's cinemas, Boljkovac uses the philosophy of Gilles Deleuze to ask how cinema can enable us to see and act in an ethical way. It offers a new perspective on the relationships between poststructuralist philosophy, ethics and modern cinema. It reads and analyses the cinematic medium itself through concepts of affect, sensation and actual virtual violence.
Product Details
Publisher
Edinburgh University Press
Format
Paperback
Publication date
2015
Series
Plateaus - New Directions in Deleuze Studies
Condition
New
Number of Pages
208
Place of Publication
Edinburgh, United Kingdom
ISBN
9781474404747
SKU
V9781474404747
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-10
About Nadine Boljkovac
Nadine Boljkovac (PhD, Cambridge) is Postdoctoral Fellow of Visual Culture & the Moving Image, Centre for Modernism Studies, UNSW. She was the Brown University 2012-13 Carol G. Lederer Postdoctoral Fellow, a University of Edinburgh 2010 Postdoctoral Fellow, and University of Aberdeen 2009-10 Film Teaching Fellow, and holds degrees in Theoretical, Critical, Historical Film Studies (York University Canada) and Cinema Studies ... Read more
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