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Post-Cinematic Theatre and Performance (Palgrave Studies in Performance and Technology)
Piotr Woycicki
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Description for Post-Cinematic Theatre and Performance (Palgrave Studies in Performance and Technology)
Hardcover. A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film. Series: Palgrave Studies in Performance and Technology. Num Pages: 278 pages, biography. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 224 x 140 x 21. Weight in Grams: 482.
A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.
A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.
Product Details
Format
Hardback
Publication date
2014
Publisher
Palgrave Macmillan
Condition
New
Series
Palgrave Studies in Performance and Technology
Number of Pages
268
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137375483
SKU
V9781137375483
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Piotr Woycicki
Piotr Woycicki is a Lecturer in Theatre and Performance Studies at Aberystwyth University, UK. His previous publications include articles in the Journal of Beckett Studies and the Journal of Performance Research.
Reviews for Post-Cinematic Theatre and Performance (Palgrave Studies in Performance and Technology)
“It is an illuminating contribution to previous research into the intermedial relation between theatre and film and a thoughtful response to new aesthetics emerging from their interplay. … It is certainly more geared towards and intellectually rewarding for advanced scholars and expert readers in the areas of theatre and performance studies, film studies and media theory.” (Claudia Georgi, Journal of ... Read more