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Lilya  - Sound, Speech, Music in Soviet and Post-Soviet Cinema - 9780253010957 - V9780253010957
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Sound, Speech, Music in Soviet and Post-Soviet Cinema

€ 96.07
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Description for Sound, Speech, Music in Soviet and Post-Soviet Cinema Hardback. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens. Editor(s): Kaganovsky, Lilya; Salazkina, Masha. Num Pages: 314 pages, 24 b&w illus. BIC Classification: 1DVUA; APFA. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 22. Weight in Grams: 630.

This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music ... Read more

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Product Details

Format
Hardback
Publication date
2014
Publisher
Indiana University Press
Condition
New
Number of Pages
352
Place of Publication
Bloomington, IN, United States
ISBN
9780253010957
SKU
V9780253010957
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50

About Lilya
Lilya Kaganovsky is Associate Professor of Slavic, Comparative Literature, and Media and Cinema Studies at the University of Illinois, Urbana-Champaign. She is author of How the Soviet Man Was Unmade. Masha Salazkina is Research Chair in Transnational Media Arts and Culture at Concordia University, Montreal. She is author of In Excess: Sergei Eisenstein's Mexico and has published in Cinema ... Read more

Reviews for Sound, Speech, Music in Soviet and Post-Soviet Cinema
Featuring essays from both established and emerging scholars, the volume will be of great use across disciplines in film studies, musicology, Russian studies, history, and cultural studies. It will be especially valuable for Soviet film scholars interested in the Stalinist period.
Choice
The stellar and insightful scholarship of . . . virtually every essay . . . thus ... Read more

Goodreads reviews for Sound, Speech, Music in Soviet and Post-Soviet Cinema


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