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21%OFFNa Na - The Third Man (BFI Film Classics) - 9780851709635 - V9780851709635
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The Third Man (BFI Film Classics)

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Description for The Third Man (BFI Film Classics) Paperback. After "The Third Man", Carol Reed was hailed as one of the world's great directors. This title sets out to understand what kind of artist Reed was and whether he deserved such accolades. Rob White explores how the film came to be made and seeks to explain its fascination. Series: BFI Film Classics. Num Pages: 88 pages, illustrations. BIC Classification: APFB. Category: (G) General (US: Trade). Dimension: 190 x 137 x 8. Weight in Grams: 160. Series: BFI Film Classics. 88 pages, illustrations. After "The Third Man", Carol Reed was hailed as one of the world's great directors. This title sets out to understand what kind of artist Reed was and whether he deserved such accolades. Rob White explores how the film came to be made and seeks to explain its fascination. Cateogry: (G) General (US: Trade). BIC Classification: APFB. Dimension: 190 x 137 x 8. Weight: 160.
A window is thrown open and sudden light illuminates the face of Orson Welles. Harry Lime's return from the dead in "The Third Man" (1949), Carol Reed's unique thriller set in occupied Vienna, is one of the most famous scenes in all cinema. But there is more besides: the zither score, the tilted shots, the cuckoo-clock speech, the desperate manhunt in the city sewers. A British-American co-production overseen by Alexander Korda and David O. Selznick, "The Third Man" was written by Graham Greene, photographed by Robert Krasker and featured, along with Welles, Joseph Cotten, Alida Valli and Trevor Howard. All ... Read more

Product Details

Publisher
British Film Institute
Number of pages
88
Format
Paperback
Publication date
2003
Series
BFI Film Classics
Condition
New
Number of Pages
96
Place of Publication
, United Kingdom
ISBN
9780851709635
SKU
V9780851709635
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-50

About Na Na
Rob White joined the staff of the British Film Institute in 1995. He writes the 'Channelling' column for Sight and Sound.

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