History on British Television
Robert Dillon
€ 149.91
FREE Delivery in Ireland
Description for History on British Television
Hardback. A unique and overdue insight and study into how the landscape, institutions and collective memory has influenced the representation of the past on British television from 1946 to the present day, promoting a very singular view of what it means to be British. Series Editor(s): Richards, Jeffrey. Series: Studies in Popular Culture. Num Pages: 256 pages, Illustrations, black & white. BIC Classification: 1DBK; APT; HBTB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 242 x 166 x 26. Weight in Grams: 558.
History on British television explores the production and consumption of factual history programming on British television. The chronological development of Western historiography is compared to phases of British television history production, highlighting how progressive developments in social and cultural trends have shaped what we make of the past and what the past makes of us.
Charting the rise and dominance of television history as a popular cultural form, the book examines how the past has become a model for citizenship, prioritising certain groups and classes, marginalising others. Clearly defined chapters deal with the battle between the BBC and its ... Read more
Product Details
Format
Hardback
Publication date
2010
Publisher
Manchester University Press United Kingdom
Number of pages
256
Condition
New
Series
Studies in Popular Culture
Number of Pages
256
Place of Publication
Manchester, United Kingdom
ISBN
9780719080920
SKU
V9780719080920
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Robert Dillon
Robert Dillon is a Honorary Research Fellow in the Department of History at Lancaster University -- .
Reviews for History on British Television
there are books that become the standard works in their fields for a generation or more. I would be very surprised if 'History on British Television' and 'the BBC and National Identity in Britain' do not establish themselves as “must-read” works , James Chapman, University of Leicester, Visual Culture in Britain, 31 January 2012
.
.