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Social Issues in Television Fiction
Lesley Henderson
€ 109.62
€ 108.35
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Description for Social Issues in Television Fiction
Hardback. The book gives lively and engaging insights into how and why socially sensitive story lines were taken up by different TV programmes from the late 1980s to the 2000s. Drawing on a series of case studies it traces the path of storylines from initial conception through to audience reception and uses contemporary examples to link practice to theory. Num Pages: 208 pages, 5 B&W Screen Grabs. BIC Classification: APT. Category: (G) General (US: Trade). Dimension: 234 x 156 x 24. Weight in Grams: 482.
Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made 'behind the scenes'? How do programme makers push boundaries without losing viewers? What do audiences take away from their viewing experience? Does TV fiction have a greater impact on public understandings than TV news? This exciting new book draws on unique empirical data to examine the relationship between popular television fiction and wider society. The book gives lively and engaging insights into how and why socially sensitive story lines were taken up by different TV programmes from the late 1980s to the 2000s. Drawing on a series of case studies of medicine, health, illness and social problems including breast cancer, mental distress, sexual abuse and violence it comprehensively traces the path of storylines from initial conception through to audience reception and uses contemporary examples to link practice to theory. For the first time, this book addresses production and reception processes across a range of programmes and clearly demonstrates the ways in which television fiction plays a vital and powerful role in reflecting and shaping socio-cultural attitudes. Features: * interviews with TV drama programme makers (producers, script writers and editors) * detailed analysis of 'on screen' representation * qualitative audience research using focus groups and innovative methods * explores external influences on programme content including commercial imperatives, broadcast regulations, the role of campaigning organisations, wider media coverage. The book is essential reading for academics, researchers and students in the fields of media studies, sociology, cultural studies and communications. It will also be of interest to health communicators, social policy practitioners and broadcast professionals.
Product Details
Publisher
Edinburgh University Press
Number of pages
208
Format
Hardback
Publication date
2007
Condition
New
Number of Pages
208
Place of Publication
Edinburgh, United Kingdom
ISBN
9780748625314
SKU
V9780748625314
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-10
About Lesley Henderson
Lesley Henderson is Lecturer in Sociology & Communications at Brunel University, West London. She was previously Senior Research Fellow in the Department of Sociology at the University of Glasgow and a member of the Glasgow Media Group. She has published several articles and papers on television production, content and reception and has two books forthcoming: Researching the Media: Issues, Ethics, Methods and Processes and Qualitative Research Design.
Reviews for Social Issues in Television Fiction
This is a very important book and is a rare event in media and cultural studies since its conclusions are based on extensive empirical work. It shows very convincingly the processes which underpin the production of television fiction and the powerful impacts which such programmes can have on public understanding.
Greg Philo, Professor of Communications, University of Glasgow At last a book that bridges the gulf between the study of political communication and television fiction, and between research into media production and audience responses. Lesley Henderson is both original and illuminating.
James Curran, Professor of Communications at Goldsmiths, University of London The book is clearly written, and represents a valuable contribution to work on media fiction... Social Issues in Television Fiction should also serve as an ideal means to prompt students to become more interested in the process through which such programmes are produced, as well as the importance of understanding how such 'issues' are incorporated into serial drama, and take the shape which they do.
Joseph Burridge This is a very important book and is a rare event in media and cultural studies since its conclusions are based on extensive empirical work. It shows very convincingly the processes which underpin the production of television fiction and the powerful impacts which such programmes can have on public understanding. At last a book that bridges the gulf between the study of political communication and television fiction, and between research into media production and audience responses. Lesley Henderson is both original and illuminating. The book is clearly written, and represents a valuable contribution to work on media fiction... Social Issues in Television Fiction should also serve as an ideal means to prompt students to become more interested in the process through which such programmes are produced, as well as the importance of understanding how such 'issues' are incorporated into serial drama, and take the shape which they do.
Greg Philo, Professor of Communications, University of Glasgow At last a book that bridges the gulf between the study of political communication and television fiction, and between research into media production and audience responses. Lesley Henderson is both original and illuminating.
James Curran, Professor of Communications at Goldsmiths, University of London The book is clearly written, and represents a valuable contribution to work on media fiction... Social Issues in Television Fiction should also serve as an ideal means to prompt students to become more interested in the process through which such programmes are produced, as well as the importance of understanding how such 'issues' are incorporated into serial drama, and take the shape which they do.
Joseph Burridge This is a very important book and is a rare event in media and cultural studies since its conclusions are based on extensive empirical work. It shows very convincingly the processes which underpin the production of television fiction and the powerful impacts which such programmes can have on public understanding. At last a book that bridges the gulf between the study of political communication and television fiction, and between research into media production and audience responses. Lesley Henderson is both original and illuminating. The book is clearly written, and represents a valuable contribution to work on media fiction... Social Issues in Television Fiction should also serve as an ideal means to prompt students to become more interested in the process through which such programmes are produced, as well as the importance of understanding how such 'issues' are incorporated into serial drama, and take the shape which they do.