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Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism
Kamila Kuc
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Description for Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism
Hardback. Num Pages: 248 pages, 20 b&w illus. BIC Classification: APFA; APFB. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 16. Weight in Grams: 506.
Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements—Symbolism, Expressionism, Futurism, and Constructivism—and to reveal their impact on later practices in art cinema.
Product Details
Publisher
Indiana University Press United States
Number of pages
248
Format
Hardback
Publication date
2016
Condition
New
Number of Pages
246
Place of Publication
Bloomington, IN, United States
ISBN
9780253023971
SKU
V9780253023971
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Kamila Kuc
Kamila Kuc is Postdoctoral Research Fellow in the Department of Media and Communications at Goldsmiths, University of London. A writer, experimental filmmaker and curator, she publishes widely on the subject of film and media. She has curated programs of experimental film for international film festivals and venues and her films have been screened at international film festivals. More information on her work can be found at her website: www.kamilakuc.com.
Reviews for Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism
Kuc's ambitious project provides a comprehensive view of Polish avant-garde film before 1945, making a solid contribution to the experimental cinema field of studies and showing how illuminating an account based on sources other than realized films can be for early avant-garde cinema.
Slavic Review
Kamila Kuc's Visions of Avant-Garde Film is devoted to the beginnings of the Polish film avant-garde. The author of this volume proposes an original perspective, paying attention to phenomena that have not been yet described or that have been so far ignored. Her reflection focuses on the relationship between the film and other areas of the avant-garde. [This] book is not only valuable by filling the gap in the literature devoted to early Polish experimental cinema, but also an original proposal of an 'alternative' cinema history.
Kwartalnik Filmowy
[E]very chapter [is] a revelation in this still understudied area of Eastern European cinema.
Canadian Journal of Film Studies
Slavic Review
Kamila Kuc's Visions of Avant-Garde Film is devoted to the beginnings of the Polish film avant-garde. The author of this volume proposes an original perspective, paying attention to phenomena that have not been yet described or that have been so far ignored. Her reflection focuses on the relationship between the film and other areas of the avant-garde. [This] book is not only valuable by filling the gap in the literature devoted to early Polish experimental cinema, but also an original proposal of an 'alternative' cinema history.
Kwartalnik Filmowy
[E]very chapter [is] a revelation in this still understudied area of Eastern European cinema.
Canadian Journal of Film Studies