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That Old Country Music
Kevin Barry
SHORTLISTED FOR THE EDGE HILL SHORT STORY PRIZE
'One of the best collections you'll read this year' Sunday Times
'Wild, witty stories . . . Exhilarating' Observer
Since his landmark debut collection, There Are Little Kingdoms, and its award-winning sequel in 2012, Dark Lies the Island, Kevin Barry has been acclaimed as one of the world's most accomplished and gifted short story writers.
Barry's lyric intensity, the vitality of his comedy and the darkness of his vision recall the work of masters of the genre like Flannery O'Connor and William Trevor, but he has forged a style which is patently his own.
In this rapturous third collection, we encounter a ragbag of west of Ireland characters, many on the cusp between love and catastrophe, heartbreak and epiphany, resignation and hope. These stories show an Ireland in a condition of great flux but also as a place where older rhythms, and an older magic, somehow persist.
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About Kevin Barry
Reviews for That Old Country Music
Sunday Times
Wild, witty stories . . . The west of Ireland teems with canny characters and vivid language . . . Darkly glimmering . . . Their language is exhilarating, its verve evoking the very best of Barry's compatriots while further carving out a territory that's all his own
Observer
These are brilliant and vivid and uproarious stories. It's a rare writer who can call a tune like Kevin Barry
LISA McINERNEY Barry often writes with sonorous wisdom . . . but as readers of his grimly hilarious novels will know, his language is just as precise when it is in the service of comedy . . . Exhilaratingly funny and poignant fables
Jake Kerridge
Sunday Telegraph
These playful, serious and beautifully crafted stories allow Barry to experiment as we need great writers to do
SARAH MOSS
Irish Times
The third short-story collection from a stylist to savour brings more exhilarating, darkly witty tales of oddballs yearning after love and enchantment in the wild west of Ireland
Guardian, 50 hottest new books everyone should read
An extraordinary writer . . . In his short stories Barry seems most fully and brilliantly himself . . . Unimprovable masterpieces . . . So rich and so flawlessly crafted - its best stories feel instantly canonical, as if we've already been reading them for years . . . The opening story is letter-perfect from its first line . . . Funny, moving, built with superior economy, this is the real thing . . . Barry remains the great romantic of contemporary Irish fiction. Like all of the most interesting artists, he gets better with every risk he takes. The courage may be his. But the rewards are all ours
Kevin Power
Irish Independent
Full of the damaged characters, menacing rural scenery and darkly comic, slantwise prose that have become his trademark . . . At each turn, Barry makes his fiction a matter of life and death
New Statesman
Optimism and sorrow anchor the stories in this collection, where relationships take unexpected turns and characters befuddle one another and themselves. Barry's writing sparkles, as ever, moving speedily between pathos and humour to great effect
New York Times Book Review, Editors' Choice
Barry is wickedly funny, slyly transgressive and consistently brilliant. He is constantly turning tricks with language before upending us on the thwarted desires of his characters and the dark energy of his landscapes. And underpinning it all, the melancholy of men that is Barry's hallmark
MARY COSTELLO