"DiBatistta (Fast-Talking Dames) pieces together a portrait of Virginia Woolf as experienced by readers... For general fans of literary criticism or of Woolf's writing in particular, DiBattista's experiment will offer an intriguing perspective on Woolf's relationship to her art and her audience."
Publishers Weekly "Like Anne Fernald's Virginia Woolf: Feminism and the Reader, DiBattista's study extends understanding not only of Woolf's ... Read morecraft and intellectual life but also of reading practices in general."
Choice "What interests Maria DiBattista is not who Woolf actually was
the flesh and blood woman
but the multiple personalities that emanate from her books. Reading a writer familiar to us is, in many ways, no different from seeing people we know, she says. In both cases, the person we think we know is a composite of the various facets of them we have glimpsed."
Fiona Capp, The Age "[W]hen people ask me about biographies about Woolf, I will recommend this one. Certainly, it cannot replace the more traditional biographies DiBattista acknowledges in her introduction, but it is an important supplement to them. My own understanding of the traditional biographies is more nuanced, a result of reading DiBattista's book."
Molly Youngkin, English Literature in Transition "[T]his short book is full of insights... I recommend it to you; it is a pleasure to read."
Stuart N. Clarke, Virginia Woolf Bulletin "[T]he more vivid impressions generated by DiBattista's study: namely, the reader's sensation of having been shown 'Virginia's Room' in a new light, as well as the realization that Woolf's 'room of one's own' is now a multitude of rooms, imaginative spaces where her readers have the freedom to hang looking-glasses in whatever odd corners they may choose."
Rosemary Joyce, Tulsa Studies in Women's Literature Show Less