“With their intellectual brilliance, humour and wonderful eye for detail, Leonard Bernstein’s letters blow all biographies out of the water. His galaxy of correspondents includes Stephen Sondheim, Boris Pasternak and Jacqueline Kennedy. Full of fresh information and the authentic voice of a constant seeker.”—The Economist (named a 2013 Book of the Year) “His collaborator Betty Comden once noted, in ... Read morea letter to Bernstein, that he saved ‘every scrap of correspondence.’ You will be grateful . . . a rich collection of letters to and from Bernstein, filled with revelations about his musical and personal lives.”—James R. Oestreich, New York Times “Bernstein’s versatility and ambition were such that he spent a lot of time trying to figure out who he was—which also meant searching for American music and for the future of music generally. This book doesn’t resolve Bernstein’s quest. But it’s an invaluable resource, and the quest itself continues to fascinate and to matter.”—Joseph Horowitz, Wall Street Journal “A rich selection of letters to and from Bernstein, meticulously edited by Nigel Simeone. . . . Alive with spontaneous intelligence, Leonard Bernstein’s letters display exactly this unforced intimacy, though there were moments when he no doubt knew that posterity was listening in.”—Morris Dickstein, Times Literary Supplement “His letters have a tremendous zest, and a good journalistic eye, too, and since he was often at the right place at the right time, at some of the key moments in his 20th-century history, this gives them a wider interest.”—Christopher Hart, Sunday Times “The correspondence from and to the remarkable conductor is full of pleasure and insights.”—New York Times Book Review (Editors’ Choice) “This volume has been handsomely edited, and the decision to include letters from Bernstein’s correspondents results in a rich portrayal of a particular age of privilege.”—Philip Hensher, The Guardian “Like Britten, Bernstein was an assiduous correspondent, and The Leonard Bernstein Letters is a vast, absorbing canvas of a life lived at full speed, with a cast list that reads like a who’s who of American cultural life in the 20th century.”—Adam Lively, Sunday Times “Simeone’s choice of letters [are] superbly amplified by his exhaustively researched footnotes, which manage to identify and flesh out even the most obscure of his subject’s multifarious correspondents.”—Stephen Walsh, The Spectator “For . . . eloquent and moving testimony read the entry for 25 November 1963 in The Leonard Bernstein Letters edited by Nigel Simeone, the contents of which give an . . . overview of a liberal American century.”—Chris Ford, The Guardian “[A] fascinating selection of correspondence edited by Nigel Simeone. . . . The Leonard Bernstein Letters is indeed a written reflection of the man himself—fascinating, discursive, frequently brilliant.”—Ken Smith, Fontes Artis Musicae “A marvelously entertaining new book. . . . The Leonard Bernstein Letters makes it possible to take stock of Bernstein’s weaknesses—his enthusiasm could lead to sentimentality, and clearly his fame became a kind of bubble. But these pale in comparison with his energy, joy, and absolute dedication to music. It’s sad to think that our culture will probably never produce someone like him again.”—Adam Kirsch, Tablet magazine “It is a major, highly accomplished piece of work in its own right.”—Illtyd Harrington, Camden New Journal “The Leonard Bernstein Letters . . . contains so much that is startling and unknown that all past books, including his own, become instantly inadequate. Don’t take my word for it. On the jacket, Bernstein’s official biographer, Humphrey Burton, declares that, with this book in hand, ‘I want to start all over again.’”—Norman Lebrecht, Standpoint Magazine “In Nigel Simeone’s editorial labour of love The Leonard Bernstein Letters some of the most entertaining letters come from Bernstein’s correspondents.”—Sameer Rahim, Sunday Telegraph “Opinions [are] expressed with force and often with elegance in his correspondence with performers, composers, publishers, promoters and many other else, as revealed in The Leonard Bernstein Letters, edited by the eminent Bernstein scholar Nigel Simeone.”—Christopher Morley, Birmingham Post “The Leonard Bernstein Letters will be pounced upon by aficionados. . . . Christmas reading doesn’t come any better.”—International Record Review “[The] extraordinary archive, The Leonard Bernstein Letters, [is] edited meticulously by Nigel Simeone.”—Jenni Frazer, Jewish Chronicle “[H]ats off to Nigel Simeone for his painstaking research into the myriad references in Bernstein’s correspondence. Concerts, recordings, broadcasts, travel dates, parties, you name it, they are all meticulously recorded in the brilliant footnotes to this large collection of letters. . . . A magisterial survey.”—Fiona Clampin, Classical Music “Top of my list for music books this Christmas has to be the new compendium of Leonard Bernstein’s collected letters which are brilliantly written, seriously engaging, and strangely contradictory, in the way that Bernstein was himself a mass of fascinating contradictions—egocentric/loving, boastful/blisteringly honest, gay/straight; with a curious ambivalence, for a Jew, towards the remnants of the Third Reich.”—Ham & High “[W]hat emerges is an absorbing and highly readable portrait of a complex, larger-than-life character nicely described by a fellow-composer as ‘one of the blessed ones who make everything they encounter come alive.’”—Anthony Burton, BBC Music Magazine “The . . . mainly unpublished correspondence both from and to Bernstein, between 1932 and 1990, shines a light on this unique figure’s thoughts, work and passions, his voice ringing clear with warmth and candour. . . . He was a remarkable artist and human being—elusive in his complexity, yet evoked, through these letters, with undeniable presence.”—Teresa Levonian Cole, Country Life “Offering 650 letters, this book is a major event in the documentation of the life and work of one of the greatest American musicians, who still exercises an enormous influence through his revelatory records.”—Peter Dickinson, Gramophone Magazine “What terrifying letters you write: fit for the flames is what they are. Just imagine how much you would have to pay to retrieve such a letter forty years from now when you are conductor of the Philharmonic.”—Aaron Copland to Leonard Bernstein in 1940 “This incredible collection of letters gives us a glimpse into the depth and breadth of Bernstein’s world. The sheer volume of correspondence, all beautifully presented and annotated by Nigel Simeone, shows us that Bernstein loved the written word as much as the musical word!”—Marin Alsop, musical director, Baltimore Symphony Orchestra “With their intellectual brilliance, humour and wonderful eye for detail, Leonard Bernstein’s letters blow all biographies out of the water. His galaxy of correspondents includes Stephen Sondheim, Boris Pasternak and Jacqueline Kennedy. Full of fresh information and the authentic voice of a constant seeker.”—The Economist (named a 2013 Book of the Year)
The Economist
“His collaborator Betty Comden once noted, in a letter to Bernstein, that he saved ‘every scrap of correspondence.’ You will be grateful . . . a rich collection of letters to and from Bernstein, filled with revelations about his musical and personal lives.”—James R. Oestreich, New York Times
James R. Oestreich
New York Times
“Bernstein’s versatility and ambition were such that he spent a lot of time trying to figure out who he was—which also meant searching for American music and for the future of music generally. This book doesn’t resolve Bernstein’s quest. But it’s an invaluable resource, and the quest itself continues to fascinate and to matter.”—Joseph Horowitz, Wall Street Journal
Joseph Horowitz
The Wall Street Journal
“A rich selection of letters to and from Bernstein, meticulously edited by Nigel Simeone. . . . Alive with spontaneous intelligence, Leonard Bernstein’s letters display exactly this unforced intimacy, though there were moments when he no doubt knew that posterity was listening in.”—Morris Dickstein, Times Literary Supplement
Morris Dickstein
TLS
“His letters have a tremendous zest, and a good journalistic eye, too, and since he was often at the right place at the right time, at some of the key moments in his 20th-century history, this gives them a wider interest.”—Christopher Hart, Sunday Times
Christopher Hart
The Sunday Times
“The correspondence from and to the remarkable conductor is full of pleasure and insights.”—New York Times Book Review (Editors’ Choice)
New York Times Book Review
“This volume has been handsomely edited, and the decision to include letters from Bernstein’s correspondents results in a rich portrayal of a particular age of privilege.”—Philip Hensher, The Guardian
Philip Hensher
The Guardian
“Like Britten, Bernstein was an assiduous correspondent, and The Leonard Bernstein Letters is a vast, absorbing canvas of a life lived at full speed, with a cast list that reads like a who’s who of American cultural life in the 20th century.”—Adam Lively, Sunday Times
Adam Lively
The Sunday Times
“Simeone’s choice of letters [are] superbly amplified by his exhaustively researched footnotes, which manage to identify and flesh out even the most obscure of his subject’s multifarious correspondents.”—Stephen Walsh, The Spectator
Stephen Walsh
The Spectator
“For . . . eloquent and moving testimony read the entry for 25 November 1963 in The Leonard Bernstein Letters edited by Nigel Simeone, the contents of which give an . . . overview of a liberal American century.”—Chris Ford, The Guardian
Chris Ford
The Guardian
“Exhaustive, thrilling [and] indispensable.”—Elysa Gardner, USA Today, starred review
Elysa Gardner
USA Today
“Energetic, intimate . . . an eye-opening volume: a glimpse into the personal life of a legend.”—Jeff Lunden, NPR “Weekend Edition Sunday”
Jeff Lunden
NPR "Weekend Edition Sunday"
“Bernstein emerges as highly literate, compassionate, astonishingly busy and gifted almost beyond measure.”—Kirkus Reviews (starred review)
Kirkus Reviews
“A hugely entertaining chronicle of a enviable life, and a trove of musical and show-business gossip.”—Adam Kirsch, New Republic
Adam Kirsch
The New Republic
“[It’s] full of both serious and gossipy correspondence between the musical genius and such friends as Stephen Sondheim, Betty Comden and Aaron Copland.”—Joe Meyers, CTNews.com
Joe Meyers
CTNews.com
“A document of a golden age.”—Jimmy So, Daily Beast
Jimmy So
The Daily Beast
“The book—consisting of 650 letters both from and to Bernstein, dated between 1932 and 1990—is not merely interesting. It is fascinating, enlightening and a veritable page-turner that will keep you up nights, ruin your sleep and wreak all sorts of havoc for 600 pages.”—Steve Suskin, Playbill
Steve Suskin
Playbill
“Magnificent and long-awaited.”—Maria Popova, Brain Pickings
Maria Popova
Brain Pickings
“Simeone has managed to encapsulate a central tradition in the history of music of the last century as seen through the correspondence of one of its most important exponents.”—Paul Seydor, Absolute Sound
Paul Seydor
Absolute Sound
“This anthology of Bernstein’s correspondence, assembled by Nigel Simeone, shines a light on the famous conductor and composer’s private thoughts.”—WQXR.org
WQXR.org
“Time and again, The Leonard Bernstein Letters demonstrate how the composer and conductor lived in overdrive.”—Carol Oja, Harvard Magazine
Carol Oja
Harvard Magazine
“[Bernstein’s] manifold legacy, including these letters, lives on.”—John Simon, Weekly Standard
John Simon
Weekly Standard
“Opens a window into the world of one of the most accomplished and brilliant artists of the 20th century.”—Irene Javors, Harvard Gay and Lesbian Review
Irene Javors
Harvard Gay and Lesbian Review
“A marvelously entertaining new book. . . . The Leonard Bernstein Letters makes it possible to take stock of Bernstein’s weaknesses—his enthusiasm could lead to sentimentality, and clearly his fame became a kind of bubble. But these pale in comparison with his energy, joy, and absolute dedication to music. It’s sad to think that our culture will probably never produce someone like him again.”—Adam Kirsch, Tablet magazine
Adam Kirsch
Tablet magazine
“It is a major, highly accomplished piece of work in its own right.”—Illtyd Harrington, Camden New Journal
Illtyd Harrington
Camden New Journal
“The Leonard Bernstein Letters . . . contains so much that is startling and unknown that all past books, including his own, become instantly inadequate. Don’t take my word for it. On the jacket, Bernstein’s official biographer, Humphrey Burton, declares that, with this book in hand, ‘I want to start all over again.’”—Norman Lebrecht, Standpoint Magazine
Norman Lebrecht
Standpoint Magazine
“In Nigel Simeone’s editorial labour of love The Leonard Bernstein Letters some of the most entertaining letters come from Bernstein’s correspondents.”—Sameer Rahim, Sunday Telegraph
Sameer Rahim
The Sunday Telegraph
“Opinions [are] expressed with force and often with elegance in his correspondence with performers, composers, publishers, promoters and many other else, as revealed in The Leonard Bernstein Letters, edited by the eminent Bernstein scholar Nigel Simeone.”—Christopher Morley, Birmingham Post
Christopher Morley
Birmingham Post
“The Leonard Bernstein Letters will be pounced upon by aficionados. . . . Christmas reading doesn’t come any better.”—International Record Review
International Record Review
“[The] extraordinary archive, The Leonard Bernstein Letters, [is] edited meticulously by Nigel Simeone.”—Jenni Frazer, Jewish Chronicle
Jenni Frazer
Jewish Chronicle
“[H]ats off to Nigel Simeone for his painstaking research into the myriad references in Bernstein’s correspondence. Concerts, recordings, broadcasts, travel dates, parties, you name it, they are all meticulously recorded in the brilliant footnotes to this large collection of letters. . . . A magisterial survey.”—Fiona Clampin, Classical Music
Fiona Clampin
Classical Music
“Top of my list for music books this Christmas has to be the new compendium of Leonard Bernstein’s collected letters which are brilliantly written, seriously engaging, and strangely contradictory, in the way that Bernstein was himself a mass of fascinating contradictions—egocentric/loving, boastful/blisteringly honest, gay/straight; with a curious ambivalence, for a Jew, towards the remnants of the Third Reich.”—Ham & High
Ham & High
“[W]hat emerges is an absorbing and highly readable portrait of a complex, larger-than-life character nicely described by a fellow-composer as ‘one of the blessed ones who make everything they encounter come alive.’”—Anthony Burton, BBC Music Magazine
Anthony Burton
BBC Music Magazine
“The . . . mainly unpublished correspondence both from and to Bernstein, between 1932 and 1990, shines a light on this unique figure’s thoughts, work and passions, his voice ringing clear with warmth and candour. . . . He was a remarkable artist and human being—elusive in his complexity, yet evoked, through these letters, with undeniable presence.”—Teresa Levonian Cole, Country Life
Teresa Levonian Cole
Country Life
“Offering 650 letters, this book is a major event in the documentation of the life and work of one of the greatest American musicians, who still exercises an enormous influence through his revelatory records.”—Peter Dickinson, Gramophone Magazine
Peter Dickinson
Gramophone Magazine
“What terrifying letters you write: fit for the flames is what they are. Just imagine how much you would have to pay to retrieve such a letter forty years from now when you are conductor of the Philharmonic.”—Aaron Copland to Leonard Bernstein in 1940
Aaron Copland “This incredible collection of letters gives us a glimpse into the depth and breadth of Bernstein’s world. The sheer volume of correspondence, all beautifully presented and annotated by Nigel Simeone, shows us that Bernstein loved the written word as much as the musical word!”—Marin Alsop, musical director, Baltimore Symphony Orchestra
Marin Alsop Show Less