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29%OFFJerelle Kraus - All the Art That´s Fit to Print (And Some That Wasn´t): Inside The New York Times Op-Ed Page - 9780231138253 - V9780231138253
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All the Art That´s Fit to Print (And Some That Wasn´t): Inside The New York Times Op-Ed Page

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Description for All the Art That´s Fit to Print (And Some That Wasn´t): Inside The New York Times Op-Ed Page Paperback. Num Pages: 280 pages, 306 illus. BIC Classification: ACV; KNTJ. Category: (P) Professional & Vocational. Dimension: 279 x 229 x 20. Weight in Grams: 1086.
All the Art That's Fit to Print reveals the true story of the world's first Op-Ed page, a public platform that-in 1970-prefigured the Internet blogosphere. Not only did the New York Times's nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include ... Read more

Product Details

Format
Paperback
Publication date
2012
Publisher
Columbia University Press United States
Number of pages
280
Condition
New
Number of Pages
280
Place of Publication
New York, United States
ISBN
9780231138253
SKU
V9780231138253
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1

About Jerelle Kraus
Jerelle Kraus is the award-winning art director whose thirty-year tenure at the New York Times includes a record thirteen years at Op-Ed. She also worked as an art director at Time and as the art director of Ramparts magazine and of Francis Ford Coppola's City magazine. The New Yorker and the New York Times Magazine have published Kraus's ... Read more

Reviews for All the Art That´s Fit to Print (And Some That Wasn´t): Inside The New York Times Op-Ed Page
A chronicle of late twentieth-century history, replete with sardonic images of tyrants and visual commentaries on the fall of communism; the works of Eastern Europeans who fled totalitarian regimes are some of the most challenging and resonant. In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that 'art is dangerous' and sometimes necessarily so. Publishers Weekly ... Read more

Goodreads reviews for All the Art That´s Fit to Print (And Some That Wasn´t): Inside The New York Times Op-Ed Page


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