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Creativity and Innovation in the Music Industry
Tschmuck, Peter (University Of Music And Performing Arts Vienna, Austria)
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Description for Creativity and Innovation in the Music Industry
Hardback. Num Pages: 316 pages, biography. BIC Classification: KCD; KJMV6; KNTF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 156 x 19. Weight in Grams: 620.
Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music ... Read more
Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music ... Read more
Product Details
Format
Hardback
Publication date
2012
Publisher
Springer-Verlag Berlin and Heidelberg GmbH & Co. KG Germany
Number of pages
316
Condition
New
Number of Pages
304
Place of Publication
Berlin, Germany
ISBN
9783642284298
SKU
V9783642284298
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-1
About Tschmuck, Peter (University Of Music And Performing Arts Vienna, Austria)
Peter Tschmuck is professor of Culture Institutions Studies at the Institute of Culture Management and Culture Studies (IKM) of the University of Music and Performing Arts Vienna. His main research fields are: music industry research, the economics of copyright, the research on cultural institutions and cultural policy evaluation.
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