Automata and Mimesis on the Stage of Theatre History
Kara Reilly
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Description for Automata and Mimesis on the Stage of Theatre History
Hardcover. The automaton, known today as the robot, can be seen as a metaphor for the historical period in which it is explored. Chapters include examinations of Iconoclasm's fear that art might surpass nature, the Cartesian mind/body divide, automata as objects of courtly desire, the uncanny Olympia, and the revolutionary Robots in post-WWI drama. Num Pages: 234 pages, 1, black & white illustrations. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 222 x 140 x 19. Weight in Grams: 388.
The automaton, known today as the robot, can be seen as a metaphor for the historical period in which it is explored. Chapters include examinations of Iconoclasm's fear that art might surpass nature, the Cartesian mind/body divide, automata as objects of courtly desire, the uncanny Olympia, and the revolutionary Robots in post-WWI drama.
The automaton, known today as the robot, can be seen as a metaphor for the historical period in which it is explored. Chapters include examinations of Iconoclasm's fear that art might surpass nature, the Cartesian mind/body divide, automata as objects of courtly desire, the uncanny Olympia, and the revolutionary Robots in post-WWI drama.
Product Details
Format
Hardback
Publication date
2011
Publisher
Palgrave Macmillan
Number of pages
234
Condition
New
Number of Pages
220
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230232020
SKU
V9780230232020
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Kara Reilly
KARA REILLY is a Lecturer at the University of Birmingham, UK. She is a theatre historian, theorist and dramaturg. Her work has appeared in New Theatre Quarterly, American Drama, Theatre Journal and Contemporary Theatre Review. This is her first book.
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