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Cervantes and the Pictorial Imagination
Ana Maria G. Laguna
€ 127.32
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Description for Cervantes and the Pictorial Imagination
Hardback. Num Pages: 175 pages. BIC Classification: DSR. Category: (G) General (US: Trade). Dimension: 245 x 167 x 14. Weight in Grams: 399.
This book explores Cervantes's connection with the representational schemes that dominated the political, moral, literary, and iconographic anxieties of the 1600s. Whereas most research on Cervantes's aesthetic and artistic models has focused on Southern sources (Italian and Spanish), this study expands this reference to include Northern (Flemish and Netherlandish) cultural influence. Through this artistic dialogue between North and South, the book investigates the interrelationship of politics and aesthetics, and how these are negotiated in Cervantes's works, especially in two novels, Don Quixote and The Dialogue of the Dogs.
This book explores Cervantes's connection with the representational schemes that dominated the political, moral, literary, and iconographic anxieties of the 1600s. Whereas most research on Cervantes's aesthetic and artistic models has focused on Southern sources (Italian and Spanish), this study expands this reference to include Northern (Flemish and Netherlandish) cultural influence. Through this artistic dialogue between North and South, the book investigates the interrelationship of politics and aesthetics, and how these are negotiated in Cervantes's works, especially in two novels, Don Quixote and The Dialogue of the Dogs.
Product Details
Format
Hardback
Publication date
2009
Publisher
Bucknell University Press United States
Number of pages
175
Condition
New
Number of Pages
175
Place of Publication
Cranbury, United States
ISBN
9781611483222
SKU
V9781611483222
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Ana Maria G. Laguna
Ana María G. Laguna is assistant professor at the University of Rutgers-Camden.
Reviews for Cervantes and the Pictorial Imagination
Ana Laguna's book makes a worthy contribution to a growing subfield within Cervantes studies that focuses on the author's engagement with the visual arts. . . . Laguna is to be commended for shedding new light on the complexities of Cervantes's reflections on visual and verbal representation.
Laura R. Bass, Tulane University
Renaissance Quarterly
Laura R. Bass, Tulane University
Renaissance Quarterly