Winner of the 2013 NAVSA Best Book of the Year Award, North American Victorian Studies Association "It's tempting to sentimentalize an era in which poetry
memorized, recited poetry
held so prominent a place in the culture. But its once-substantial role turns out to be a mixed and complicated tale, as thoroughly chronicled [by] Catherine Robson."
Brad Leithauser, NewYorker.com "Catherine Robson's extraordinary book, a ... Read morefeat of imagining as well as of scholarship, explores the memorization and reciting of poems in classrooms across England and America through substantial portions of the last two centuries."
William H. Pritchard, Weekly Standard "I hope that books like Catherine Robson's brilliant Heart Beats: Everyday Life and the Memorized Poem will mark a turning point in the history of our discipline. Written with a lightness of touch but a depth of commitment ... lively, fresh and insightful ... thoughtful and meticulous."
Chris Jones, Times Higher Education "Robson develops her arguments with a delicious range of references."
Julie Blake, English in Education "Robson does far more than give us the institutional history of verse memorization, though she does this fascinatingly well. She interrogates what performed memorization means for the study of poetry, reception, and canonization."
James Najarian, European Romantic Review "Heart Beats invites further research, and should have a significant impact on Victorian studies for some time to come."
Kirstie Blair, Tennyson Research Bulletin "[A]bsorbing, amazingly-detailed, and at times startling."
Mike Chasar, Poetry "For a wonderfully dispassionate guide to this debate, there is no better book ... Neither sentimentalist nor cynic, Robson traces the glory days of the memorised poem from the late 18th century to the Second World War."
C. P. Nield, Standpoint "[E]xpansive, imaginative, and consistently provocative work."
Jason R. Rudy, Victorian Studies "[T]he result of [Robson's] meticulousness is hardly modest; on the contrary, Heart Beats is a brilliantly original book that dares to raise riveting, if sometimes unanswerable, questions about long-forgotten children, half-remembered lessons, and the power of the memorized poem."
Angela Sorby, Modern Language Quarterly Show Less