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Heterosexual Plots and Lesbian Narratives
Marilyn Farwell
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Description for Heterosexual Plots and Lesbian Narratives
Paperback. What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? This book examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley to address these questions. Series: Heterosexual Plots and Lesbian Narratives. Num Pages: 248 pages, black & white illustrations. BIC Classification: DSB; JFSK1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 16. Weight in Grams: 330.
What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable?
Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres--the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism.
... Read more
Product Details
Format
Paperback
Publication date
1995
Publisher
New York University Press United States
Number of pages
248
Condition
New
Series
Heterosexual Plots and Lesbian Narratives
Number of Pages
248
Place of Publication
New York, United States
ISBN
9780814726402
SKU
V9780814726402
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Marilyn Farwell
Marilyn R. Farwell is Associate Professor of English at the University of Oregon.
Reviews for Heterosexual Plots and Lesbian Narratives
Marilyn Farwell's thoughtful and highly readable text is the first to look at lesbian writing from the perspective of narrative theory, not content, social context, or critical theory. By positioning herself between essentialist lesbian feminism and anti-essentialist postmodernism, she provides a strong case for refusing simplistic oppositions and redrawing the lines of contemporary lesbian criticism. A provocative and enjoyable approach ... Read more