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On Voice in Poetry: The Work of Animation (Language, Discourse, Society)
David Nowell Smith
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Description for On Voice in Poetry: The Work of Animation (Language, Discourse, Society)
Hardcover. What do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself. Series: Language, Discourse, Society. Num Pages: 210 pages, biography. BIC Classification: DSA; DSC. Category: (P) Professional & Vocational. Dimension: 225 x 145 x 18. Weight in Grams: 388.
What do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself.
What do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself.
Product Details
Format
Hardback
Publication date
2015
Publisher
Palgrave Macmillan
Condition
New
Series
Language, Discourse, Society
Number of Pages
202
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137308221
SKU
V9781137308221
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About David Nowell Smith
David Nowell Smith is Lecturer in Literature at the University of East Anglia. He is also author of Sounding/Silence: Martin Heidegger at the Limits of Poetics (2013).
Reviews for On Voice in Poetry: The Work of Animation (Language, Discourse, Society)
“Nowell Smith begins and ends with Hopkins, giving circular coherence, but each chapter is individually ‘essayistic,’ offering a ‘speculative poetics.’ … what is explored here is explored brilliantly. … this is a fascinating work of animation.” (Rebecca Varley-Winter, The Goose, Vol. 14 (2), February, 2016)