A winning book... Enlightening and often moving.
Helen Vendler, New York Times Book Review Whitman, the great New York poet, cries out for evangelization, not explication. Accordingly, in this sweet slip of a book, Williams, himself an eminent poet, lets Walt speak freely, filling many pages with favorite passages, most frequently from the original 'Leaves of Grass,' of 1855. Williams's own prose is chatty and loose, dipping into big categories like 'Nature' and 'America' with the casualness of a Sunday social call.
Leo Carey, New Yorker One can see why C.K. Williams, a poet of wide-ranging curiosity and distinctive verbal 'music,' might have been drawn to write an introduction to Whitman. In his use of long, flowing lines
sometimes so long that his publishers have adopted unusually wide pages to accommodate them
Williams can seem to be an heir to Whitman's own poetic practice. There are times in his book on Whitman when Williams confides something that he knows as a poet.
Christopher Benfey, New York Review of Books On Whitmanis an admirable homage to a poet without whom C. K. Williams himself would not write as he does.
Stephen Burt, New Republic On Whitman is revelatory when it comes to explaining Whitman's poetic gifts. With generous quotations from Leaves of Grass, Williams returns us to Whitman's music, his remarkable fusion of language and song... On Whitman is not simply a personal tribute to Williams' great forerunner. The book rethinks the ways the 'good gray poet' established a language and an identity for future poets.
David Haven Blake, Philadelphia Inquirer Now, C. K. Williams has written a book on Whitman, and it arrives not a moment too soon... In On Whitman, Williams takes an approach that's more innovative than it sounds: he keeps his focus on the poems. He wants to strip away the heavy theorizing and layers of biography that have accrued around his fellow poet. Williams's aim is to restore the strangeness and power he encountered when, at age 16, he made a Whitman anthology his first poetry purchase. 'For a young poet, reading Whitman is sheer revelation, sheer wonder, a delight bordering on then plunging into disbelief. How could all this come to pass?' His slender book offers a convincing answer.
Jeremy McCarter, Newsweek On Whitman is a small, excellent look at the greatest poet that the United States has produced to date... If you really don't know Whitman's poetry, except for a poem or two you encountered in high school or college, Williams is a gracious, welcoming guide. Even if you are already an avid reader, he is still apt to renew your wonder about the work. Williams knows he isn't able to explain how Whitman became the poet he did, any more than his biographers. But he is able to describe what makes his poetry great, and so readable, as well as anyone.
Robert Pincus, San Diego Union-Tribune This little book is almost a book of devotion, so moved is the author, himself a poet, as he reads and re-reads Whitman. He writes that Whitman 'was the most spiritually perfect human being who ever lived.' His almost intimate reflections make this book a delight to read. Readers who think they know Whitman will learn much from C.K. Williams.
Charles Stephen, Lincoln Journal Star An estimable poet in his own right, C.K. Williams has written an accessible, short study of Walt Whitman's poetry. Part of a writers-on-writers series recently launched by Princeton University Press, On Whitman is a slight book, an appreciative meditation rather than a critical study. Williams helps readers see Whitman's genius, especially his intuitive grasp of the existential and metaphysical demands of a radically democratic culture.
R.R. Reno, First Things The acclaimed poet C. K. Williams celebrates the energy, legacy, and artistry of Walt Whitman with astute and exuberantly abundant recourse to the bard's free and formidable verse.
Barnes and Noble Review [D]elightful.
Choice Williams invites us to hop on as he takes us on an exhilarating ride through Whitman's poetry.
Ed Folsom, Walt Whitman Quarterly Review C.K. Williams, a contemporary poet, writes succinctly yet compendiously of his predecessor and model's sprawling verse, and conveys a refreshing candid enthusiasm so different from the current criticism that reproves poets for failing to match their critics' acuity.
John E. Alvis, Claremont Review of Books