Post-Romantic Consciousness: Dickens to Plath
John Beer
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Description for Post-Romantic Consciousness: Dickens to Plath
Hardcover. Num Pages: 204 pages, biography. BIC Classification: 2AB; DSBF; DSBH. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 140 x 17. Weight in Grams: 388.
In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.
In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.
Product Details
Format
Hardback
Publication date
2003
Publisher
Palgrave Macmillan
Number of pages
216
Condition
New
Number of Pages
204
Place of Publication
Gordonsville, United States
ISBN
9781403905185
SKU
V9781403905185
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About John Beer
John Beer is Emeritus Professor of English Literature, University of Cambridge and Fellow of Peterhouse. His work on Romanticism includes Coleridge the Visionary, Coleridge's Poetic Intelligence, Blake's Humanism, Blake's Visionary Universe, Wordsworth and the Human Heart, Wordsworth in Time, Questioning Romanticism (ed.), Romantic Influences and Providence and Love .He has edited Coleridge's Poems for Everyman's Library, his Aids to Reflection ... Read more
Reviews for Post-Romantic Consciousness: Dickens to Plath
'As the editors of his Festchrift hoped, some years ago now, John Beer's lucid, infectiously enthusiastic and unignorable interrogation of Romanticism continues. . . his work is quietly and usefully informed by the new vistas. . . Beer has shown himself to be a critic unusually capable of handling the reach and dynamics of the Coleridgean repertoire. But in this ... Read more