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The Grotesque in Contemporary Anglophone Drama
Ondrej Pilny
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Description for The Grotesque in Contemporary Anglophone Drama
Hardback. Num Pages: 185 pages, biography. BIC Classification: 2AB; DSBH; DSG. Category: (G) General (US: Trade). Dimension: 160 x 218 x 16. Weight in Grams: 380.
Grotesque features have been among the chief characteristics of drama in English since the 1990s. This new book examines the varieties of the grotesque in the work of some of the most original playwrights of the last three decades (including Enda Walsh, Philip Ridley, Tim Crouch and Suzan-Lori Parks), focusing in particular on ethical and political issues that arise from the use of the grotesque.
Grotesque features have been among the chief characteristics of drama in English since the 1990s. This new book examines the varieties of the grotesque in the work of some of the most original playwrights of the last three decades (including Enda Walsh, Philip Ridley, Tim Crouch and Suzan-Lori Parks), focusing in particular on ethical and political issues that arise from the use of the grotesque.
Product Details
Publisher
Palgrave Macmillan
Format
Hardback
Publication date
2016
Condition
New
Weight
379g
Number of Pages
178
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137513175
SKU
V9781137513175
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Ondrej Pilny
Ondrej Pilny is Associate Professor of English and Director of the Centre for Irish Studies at Charles University, Prague. He is the author of Irony and Identity in Modern Irish Drama and has edited collections of essays and journal issues on subjects ranging from Anglophone drama and Irish literature to cultural memory and structuralist theory. His ... Read more
Reviews for The Grotesque in Contemporary Anglophone Drama
Pilny's book delivers an always perspicacious and often eloquent set of readings of plays that speak to a cultural moment of distress and crisis by summoning elements and strategies of the grotesque. In so doing, he enriches our understanding of the role of contemporary theatre to hold a distorted mirror, as' twere, up to our distorted nature, and perhaps the ... Read more