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Vampire Nation: Violence as Cultural Imaginary
Tomislav Z. Longinovic
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Description for Vampire Nation: Violence as Cultural Imaginary
Hardback. Analyzes how the rhetoric of Yugoslav intellectuals and politicians and the U.S.-led Western media and political leadership framed the serbs as metaphorical vampires in the last decades of the twentieth century. Series: Cultures and Practice of Violence. Num Pages: 224 pages, 9 illustrations. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 236 x 155 x 18. Weight in Grams: 454.
Vampire Nation is a nuanced analysis of the cultural and political rhetoric framing ‘the serbs’ as metaphorical vampires in the last decades of the twentieth century, as well as the cultural imaginaries and rhetorical mechanisms that inform nationalist discourses more broadly. Tomislav Z. Longinović points to the Gothic associations of violence, blood, and soil in the writings of many intellectuals and politicians during the 1990s, especially in portrayals by the U.S.-led Western media of ‘the serbs’ as a vampire nation, a bloodsucking parasite on the edge of European civilization.Interpreting oral and written narratives and visual culture, Longinović traces the early ... Read moremodern invention of ‘the serbs’ and the category’s twentieth-century transformations. He describes the influence of Bram Stoker’s nineteenth-century novel Dracula on perceptions of the Balkan region and reflects on representations of hybrid identities and their violent destruction in the works of the region’s most prominent twentieth-century writers. Concluding on a hopeful note, Longinović considers efforts to imagine a new collective identity in non-nationalist terms. These endeavors include the emigrant Yugoslav writer David Albahari’s Canadian Trilogy and Cyber-Yugoslavia, a mock nation-state with “citizens” in more than thirty countries.
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Product Details
Publisher
Duke University Press United States
Series
Cultures and Practice of Violence
Place of Publication
North Carolina, United States
Shipping Time
Usually ships in 7 to 11 working days
About Tomislav Z. Longinovic
Tomislav Z. Longinović is Professor of Slavic and Comparative Literature at the University of Wisconsin, Madison. He is the author of Vampires Like Us and Borderline Culture, as well as the novels Sama Amerika and Moment of Silence.
Reviews for Vampire Nation: Violence as Cultural Imaginary
“Given the elastic qualities of vampirism, it is not surprising that the book comes together as a collage of artistic and literary artefacts that are rather impressive in their range. Longinović has at his disposal, it seems, the entire cultural repository of the South Slavs, drawing on oral literature, popular music, contemporary novels and even political speeches. His crossings between ... Read moregenres and forms aptly demonstrate the entrenched overlap between, say, populist political rhetoric and literary tropes. . . . [T]here is plenty to bite into in this book.” - Dragana Obradovic, Times Higher Education Supplement “Vampire Nation… offers a unique deconstruction of Serbian nationalism through a detailed textual analysis of the “vampire” metaphor…. The intelligent and eloquent prose makes Vampire Nation a thoughtful and distinctive study of Serbian identity and the cultural “vampire.” The book can be described as a different and unique ethnographic study of violence in the former Yugoslavia.” - Anastasia Karakasidou, Anthropological Quarterly “Longinović’s study will be stimulating both to vampirology and to Balkan studies, particularly in its thought provoking analogy between the post-Oriental and post-Communist condition. The study is also a valuable contribution to the tradition of critique: Longinović’s sustained censure of concealed forms of cultural racism and political imperialism will find favour with deconstructionist scholars and critical thinkers.” - Vladimir Zoric, Modern Language Review “Vampire Nation: Violence as a Cultural Imaginary is a welcome and needed contribution to the conversation on the post-Yugoslavia reality and the future construction of the Balkans for scholars of the region and the literature and culture. Longinović does a remarkably skillful job in navigating the turbulent and, for many, dangerous political and cultural waters following the collapse of Yugoslavia and the aftermath of the Balkan wars, creating a highly readable and engaging volume.” - Thomas J. Garza, Slavic and East European Journal “Overall, however, employing psychoanalytic discourses to explore how the concept of vampirism figures in contemporary national imaginaries to justify violence opens up exciting new avenues of critical inquiry — a welcome theoretical extension of a concept that has become an overused, oversimplified pop-cultural cliché.” - Nataša Kovačević, Slavonic and East European Review “Nevertheless, this volume is a valuable addition to existing studies of the Balkans, and it will be of interest to all those seeking to explore the constructions of national and cultural identity after the imperial submission and the wars of twentieth-century Europe.” - Vedrana Veličković, Slavic Review “[T]he specific issues Longinović addresses and the book’s main arguments are… convincing, offering an insider’s view of the cultural-historical creation of the Serbian identity, and juxtaposing it with an insightful analysis of the American and West European imaginary of the latter.” - Radina Vučetić, Slavonica “This fascinating and important post-Yugoslav study of violence, especially in relation to Serbia and the Serbs, poses crucial questions about how Serbian violence has been understood from within Serbian culture, from within the Yugoslav and post-Yugoslav framework, and from the external perspective of the European gaze. Tomislav Z. Longinović, one of the world’s leading scholars on South Slavic literature and culture, offers a cultural study that provocatively illuminates the complexities of Serbian identity, the metaphor of vampirism in southeastern Europe, the meaning of violence within an imagined community, and the mental mapping of the former Yugoslavia.”—Larry Wolff, author of Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment “Vampire Nation: Violence as a Cultural Imaginary is a welcome and needed contribution to the conversation on the post-Yugoslavia reality and the future construction of the Balkans for scholars of the region and the literature and culture. Longinović does a remarkably skillful job in navigating the turbulent and, for many, dangerous political and cultural waters following the collapse of Yugoslavia and the aftermath of the Balkan wars, creating a highly readable and engaging volume.”
Thomas J. Garza
Slavic and East European Journal
“Vampire Nation… offers a unique deconstruction of Serbian nationalism through a detailed textual analysis of the “vampire” metaphor…. The intelligent and eloquent prose makes Vampire Nation a thoughtful and distinctive study of Serbian identity and the cultural “vampire.” The book can be described as a different and unique ethnographic study of violence in the former Yugoslavia.”
Anastasia Karakasidou
Anthropological Quarterly
“Given the elastic qualities of vampirism, it is not surprising that the book comes together as a collage of artistic and literary artefacts that are rather impressive in their range. Longinović has at his disposal, it seems, the entire cultural repository of the South Slavs, drawing on oral literature, popular music, contemporary novels and even political speeches. His crossings between genres and forms aptly demonstrate the entrenched overlap between, say, populist political rhetoric and literary tropes. . . . [T]here is plenty to bite into in this book.”
Dragana Obradovic
Times Higher Education
“Longinović’s study will be stimulating both to vampirology and to Balkan studies, particularly in its thought provoking analogy between the post-Oriental and post-Communist condition. The study is also a valuable contribution to the tradition of critique: Longinović’s sustained censure of concealed forms of cultural racism and political imperialism will find favour with deconstructionist scholars and critical thinkers.”
Vladimir Zoric
Modern Language Review
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