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Wordsworth and the Passions of Critical Poetics
S. Allen
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Description for Wordsworth and the Passions of Critical Poetics
Paperback. This scholarly study presents a new political Wordsworth: an artist interested in 'autonomous' poetry's redistribution of affect. No slave of Whig ideology, Wordsworth explores emotion for its generation of human experience and meaning. He renders poetry a critical instrument that, through acute feeling, can evaluate public and private life. Num Pages: 214 pages, biography. BIC Classification: DSA; DSB; DSBF; DSC. Category: (G) General (US: Trade). Dimension: 216 x 140. .
This scholarly study presents a new political Wordsworth: an artist interested in 'autonomous' poetry's redistribution of affect. No slave of Whig ideology, Wordsworth explores emotion for its generation of human experience and meaning. He renders poetry a critical instrument that, through acute feeling, can evaluate public and private life.
This scholarly study presents a new political Wordsworth: an artist interested in 'autonomous' poetry's redistribution of affect. No slave of Whig ideology, Wordsworth explores emotion for its generation of human experience and meaning. He renders poetry a critical instrument that, through acute feeling, can evaluate public and private life.
Product Details
Format
Paperback
Publication date
2010
Publisher
Palgrave Macmillan United Kingdom
Number of pages
214
Condition
New
Number of Pages
191
Place of Publication
Basingstoke, United Kingdom
ISBN
9781349320431
SKU
V9781349320431
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About S. Allen
STUART ALLEN is Assistant Professor of English at Bridgewater State College, Massachusetts, USA. He has published articles on Wordsworth, Romanticism and James Joyce.
Reviews for Wordsworth and the Passions of Critical Poetics
"Wordsworth's push and pull through emotional turbulence to conciliatory consciousness, alienation into affection, is sharply explored by Allen throughout the study and his simultaneous focus on the aesthetic, political, affective and material through both historical philosophy and modern theory keeps the book lively and percipient throughout." - Emma Mason, Warwick University, UK