.png){kind=logo}
Stock image for illustration purposes only - book cover, edition or condition may vary.
Description for Musik
Paperback. A play from Frank Wedekind, a German dramatist. This version is translated by Neil Fleming. Set in Munich in 1906, a backstreet abortionist threatens to reveal the truths and secrets between lovers and friends. Translator(s): Fleming, Neil. Series: Oberon Modern Plays. Num Pages: ports. BIC Classification: DD. Category: (G) General (US: Trade). Dimension: 210 x 130 x 6. Weight in Grams: 132.
"""Without crime I became a criminal. Without payment I became a whore"" Munich, 1906. Klara lives with her singing teacher and his wife. But when a backstreet abortionist is arrested, a secret emerges which theatens to destroy the household's respectability. Frank Wedekind was the great rebel of European theatre, best known for Spring Awakening and the Lulu Plays. In Musik he delivers a blistering attack on middle-class hyprocrisy and double-standards. This exhiliarating adaptation by Neil Fleming opened The Last Waltz Season at the Arcola Theatre, London in March 2005."
"""Without crime I became a criminal. Without payment I became a whore"" Munich, 1906. Klara lives with her singing teacher and his wife. But when a backstreet abortionist is arrested, a secret emerges which theatens to destroy the household's respectability. Frank Wedekind was the great rebel of European theatre, best known for Spring Awakening and the Lulu Plays. In Musik he delivers a blistering attack on middle-class hyprocrisy and double-standards. This exhiliarating adaptation by Neil Fleming opened The Last Waltz Season at the Arcola Theatre, London in March 2005."
Product Details
Publisher
Oberon Books Ltd United Kingdom
Format
Paperback
Publication date
2005
Series
Oberon Modern Plays
Condition
New
Number of Pages
96
Place of Publication
, United Kingdom
ISBN
9781840025507
SKU
V9781840025507
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-10
About Frank Wedekind
"Frank Wedekind (1864-1918) had a seminal effect on the development of twentieth-centruy German drama. His plays portray a society riven by the demands of lust and greed, and his powerful writing continues to disturb and shock; his plays were still being refused a performing licence in Britain in the 1960s. "
Reviews for Musik
"""It has an admirable choked quality, like a cry of despair suppressed"" Lyn Gardner, The Guardian ""...a bracingly modern study of hypocrisy, the bourgeoisie, artistic exploitation with a good old swipe at the press along the way. Fascinating stuff."" Carole Woddis, WhatsonStage.com "