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No-Thing Is Left to Tell: Zen/Chaos Theory in the Dramatic Art of Samuel Beckett
John Leeland Kundert-Gibbs
€ 123.14
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Description for No-Thing Is Left to Tell: Zen/Chaos Theory in the Dramatic Art of Samuel Beckett
hardcover. Num Pages: 236 pages. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 246 x 168 x 18. Weight in Grams: 522.
Zen Buddhism and the Chaos theory are used in this work as binocular lenses to examine the existential difficulties in Samuel Beckett’s plays in terms that circumvent traditional Western schools of thought. No-Thing Is Left to Tell examines Waiting for Godot, Endgame, Happy Days, Footfalls, and Ohio Impromptu, discovering both within them and throughout the larger scale of Beckett’s plays as a whole, a movement toward revisioning our world in terms of a nonclosed, unself-conscious state. Illustrated.
Zen Buddhism and the Chaos theory are used in this work as binocular lenses to examine the existential difficulties in Samuel Beckett’s plays in terms that circumvent traditional Western schools of thought. No-Thing Is Left to Tell examines Waiting for Godot, Endgame, Happy Days, Footfalls, and Ohio Impromptu, discovering both within them and throughout the larger scale of Beckett’s plays as a whole, a movement toward revisioning our world in terms of a nonclosed, unself-conscious state. Illustrated.
Product Details
Format
Hardback
Publication date
1999
Publisher
Fairleigh Dickinson University Press United States
Number of pages
236
Condition
New
Number of Pages
236
Place of Publication
Cranbury, United States
ISBN
9781611471588
SKU
V9781611471588
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
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