Uno studio esemplarmente interdisciplinare. Accanto alle forme del teatro di guerra contemporaneo, ricostruite e indagate con una scrittura agile e vivace, mediate da uno sguardo critico raffinato e scrupolosamente analitico, emergono infatti le opacità e le ambiguità dei conflitti che quella scena illumina. E vengono ripercorse con circostanziata meticolosità le pieghe di una violenza mistificata dagli scenari e dalle narrazioni mediatiche. Per questo sguardo multiplo – estetico, storico e culturale – sostenuto da un solidissimo apparato teorico e bibliografico, Forms of Conflict si propone come un contributo prezioso per chi voglia capire, a ttraverso le forme tuttora in divenire di questo teatro, le logiche di una violenza che continua a perpetuarsi nelle “nuove guerre.” Read the full review by Allessandra Marzola here: http://www.iperstoria.it/joomla/images/PDF/Numero_11/recensioni_11/Marzola.pdf
Alessandra Marzola, University of Bergamo
Iperstoria, Indice Numero XI - Spring/Summer 2018
In this rich and expansive study, Sara Soncini grapples with a timely question: how have theatre practitioners – particularly playwrights – represented and responded to the theatrical challenges of contemporary globalized and highly mediatized warfare? Soncini weaves together an intricate and insightful analysis of the reshaping of dramatic form that has occurred alongside conceptual shifts in contemporary warfare. Soncini concludes the book with a thorough and much appreciated appendix that catalogues war-centric plays that premiered in the United Kingdom between 1991 and 2011, and provides information including title, playwright, dates and warscape. Rather than a single, unified explanation, Forms of Conflict offers a multifaceted approach to navigating recent theatrical responses to war. The study is authoritatively argued, far-reaching in its scope and a welcome contribution to the fields of theatre and performance studies. Furthermore, its interdisciplinary approach yields an impact in several diverse fields including globalization studies, trauma studies and postmodern cultural studies.
Alison Christy, University of Kansas
Theatre Research International, 43.1, Oct. 2017
With Forms of Conflict, Soncini adds an art-based focus to the growing literature of contemporary war studies and also connects theater studies to political science research into the rhetorical strategies of war. Using detailed descriptions and persuasive close reading of recent performances, Soncini paints a thorough picture of contemporary British theater and offers a timely reminder of art’s power to disrupt the discourses of war. Forms of Conflict contains rich close readings of scripts and meticulous descriptions of performances. Soncini has a knack for imagery that draws readers into the performance experience while simultaneously directing them to key points in her analysis. Even if the reader is unfamiliar with the scripts or productions Soncini discusses, her colorful depictions form a clear picture. Soncini also provides comprehensive historical context for events like the Bloody Sunday inquiry or the July 7, 2005 bombings in London, and this attention to details strengthens her argument.
Susanne Shawyer, Elon University
Journal of British Studies, Volume 56, Issue 4, October 2017
This is a timely and meticulously researched volume on the representation of war on the British stage written around or after the September 11 terrorist attacks.  It confronts the aesthetic and political challenges of this representation by focusing on a select group of dramatists who have made significant contributions to British drama. There is a rapidly growing field of contemporary war studies in university arts, theatre and performance departments and this book would be a welcome addition to the range of texts already on offer. Dr Dawn Fowler, Senior Lecturer in Drama, University of the West of England
Dr Dawn Fowler, Senior Lecturer in Drama, University of the West of England