What Shapiro shows convincingly is how deeply Shakespeare's play dug into the fantasies, anxieties and pleasures of its audience. New York Times Book Review A groundbreaking study of Elizabethan anti-Semitism that offers a shockingly long pedigree for Shakespeare's Shylock. KIRKUS REVIEWS A repository of information about a great many matters long in need of the kind of intelligent analysis that Shapiro gives them. NEW YORK REVIEW OF BOOKS A valuable approach to one of Shakespeare's most challenging and elusive masterpieces. CHICAGO TRIBUNE Our understanding of 'Englishness' is so established by now that it is necessary to read a fine cultural historian like Shapiro to understand how fluid it once was. LOS ANGELES TIMES Shapiro not only explodes the myth of the absent Jew but, more significantly, explores how literature conveys such notions. TIKKUN An outstanding example of how a literary figure can illuminate both our cultural past and our present. MOMENT I plan to teach this book alongside The Merchant of Venice the next chance I get.
Andrea Solomon, University of California, Berkeley Renaissance Quarterly A must-read: it raises fundamental questions about literature in this era of violent bigotry and political correctness.
Marilyn L. Williamson College English James Shapiro couples his extensive research with insightful interpretations and ideas, creating an impressive study that will aid scholars of history, literature, and Judaism for decades to come.
Eric Sterling, Auburn University The Sixteenth Century Journal Shapiro is not concerned merely with Jewish figures in Shakespeare's plays; rather, his book grapples with the much vaster questions of Jewishness and Shakespearean culture.
Richard Halpern, University of Colorado-Boulder Comparative Literature [Shapiro] forces us to recognize the racist underside of 'Enlightenment' politics and Shakespeare's part in the creation of an insular and xenophobic Englishness.
Grace Tiffany, Western Michigan University Comparative Drama Shapiro provides a shocking overview of Elizabethan England's anti-Semitism, and shows how Shylock was shaped by that Christian nation's fears; Shakespeare's Jew conformed all too closely to his audience's expectations.
Hilton Als NEW YORKER