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Theatre, Performance and the Historical Avant-Garde
G. Berghaus
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Description for Theatre, Performance and the Historical Avant-Garde
Paperback. A study of the ways in which performance served as a medium of expression for the historical avant-garde Series: Palgrave Studies in Theatre and Performance History. Num Pages: 396 pages, biography. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 228 x 154 x 24. Weight in Grams: 576.
This study traces the origins of European modernism in Nineteenth-century Paris, examining every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery of primary and secondary sources in several different languages.
This study traces the origins of European modernism in Nineteenth-century Paris, examining every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery of primary and secondary sources in several different languages.
Product Details
Publisher
Palgrave Macmillan United Kingdom
Number of pages
400
Format
Paperback
Publication date
2010
Series
Palgrave Studies in Theatre and Performance History
Condition
New
Weight
576g
Number of Pages
374
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230617520
SKU
V9780230617520
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About G. Berghaus
GÜNTER BERGHAUS was formerly a Reader in Theatre History and Performance Studies, has been Guest Professor at the State University of Rio de Janeiro, Brazil, and at Brown University, Providence/RI, USA. He is now a Senior Research Fellow at the University of Bristol, UK. He has published a dozen books and a large number of articles on theatre anthropology, avant-garde ... Read more
Reviews for Theatre, Performance and the Historical Avant-Garde
'Günter Berghaus's Theatre, Performance, and the Historical Avant-Garde has the potential to become a crucial point of departure for the next generation of theatre scholars. At the very least, it will be an invaluable point of reference for anyone studying the experimental practices of the historical European avant-garde. Berghaus's book is written with exceptional clarity and with an admirable devotion ... Read more