[10:04 is] contemplative and tender... Out of the ephemera of everyday life, Lerner has created a work of great artifice, knitted together by dozens of images... I doubt I'll read a finer novel this year
Jonathan Beckman
Telegraph
Lerner writes with a poet's attention to language... Brilliant
Hari Kunzru
New York Times Book Review
... Read moreBrilliant... Contemplative and tender... I doubt I'll read a finer novel this year'
Sunday Telegraph





Dazzling [and] absorbing... This is an extremely funny book, and a political one... It is filled with moments of transcendence and glimpses of alternative ways of being and perceiving
Catherine O’Flynn
Guardian
Lerner carries off his conceit with aplomb, thanks to his intelligence, seriousness and gift for social satire
Neville Hawcock
Financial Times
Reading Ben Lerner gives me the tingle at the base of my spine that happens whenever I encounter a writer of true originality. He is a courageous, immensely intelligent artist who panders to no one and yet is a delight to read. Anyone interested in serious contemporary literature should read Ben Lerner, and 10:04 is the perfect place to start
Jeffrey Eugenides, author
The Marriage Plot
Ben Lerner is a brilliant novelist, and one unafraid to make of the novel something truly new. 10:04 is a work of endless wit, pleasure, relevance, and vitality
Rachel Kushner, author
The Flamethrowers
It's clear Ben Lerner is stupendously, murderously talented. 10:04 is clever, strange, funny and original
Joe Dunthorne, author
Wild Abandon
[10:04] is an extremely funny book [and] Lerner is a gripping storyteller... [A] dazzling, absorbing novel
Catherine O’Flynn
Guardian
Luminous, intelligent, poignant, and funny... 10:04 is a rare achievement. This is only Lerner's second novel, and yet to talk about mere "promise" seems insufficient. Even if he writes nothing else for the rest of his life, this is a book that belongs to the future
Giles Harvey
New York Review of Books
A generous, provocative, ambitious Chinese box of a novel... a near-perfect piece of literature, written with the full force of Lerner's intellectual, aesthetic, and empathetic powers, which are as considerable as they are vitalizing... A magnum opus
LA Times
A sneakily visionary novel masquerading as a comic one. The world Ben Lerner describes is recognizably ours. Why then is it so thrilling and unnerving to wander through it?
Jenny Offill, author
Dept. of Speculation
Lerner captures in often beautiful and sometimes hilarious style the rhythms, dissonances, and ambiguities of New York City... Lerner pulls this complex effort off with verve and a keen satiric eye and ear. This is a modern, very New York, and unique literary novel
Booklist
In stunningly hypnotic prose... this masterful, at times dizzying novel re-evaluates not just what fiction can do but what it is. Hilarious and incisive... [it] achieves brilliance, at once a study of how fiction functions and an expansive catalog of life
Time Out NY





Lerner packs so much brilliance and humor into each episode... Ingenious
Wall Street Journal
Lerner is among the most interesting young American novelists at present... In his books, little happens, yet everything happens. Small moments come steeped in vertiginous magic... A constantly vivid observer of the world [...] we come to relish seeing the world through [his] eyes
New York Times
A rich, sophisticated novel ... Brilliant
New Republic
A funny, deeply observational metafictional romp
Entertainment Weekly
Lerner's work is an ever-expanding universe... like the light from a dead star, 10:04 will illuminate you to yourself for a long time to come
National Post
Lerner spans high- and lowbrow effortlessly... As much as I adored Leaving the Atocha Station, 10:04 is an improvement on those ideas in every single way. The book is more ambitious, more intelligent, and, somehow, even more hysterical
Grantland
Wonderfully intelligent, full of intricate formal devices, literary references and various hidden repositories of meaning... It is also a tentative, tender, and achingly uncertain story of man becoming a father
Weekend Australian
I expected to love and, with relief, did love Ben Lerner's second novel 10:04
Joe Dunthorne
‘Books of the Year’ Observer
Somewhere between the desperate unspooling sincerities of David Foster Wallace and the self-anatomising babble of Woody Allen... [10:04 is a] strange book... with a ruthless, twisty cleverness and originality that are difficult to ignore... We may need a new genre
Tim Martin
Literary Review
Lerner writes with supercool irony about the farcical everyday extremities of contemporary life [and] manages to combine intellectual seriousness with scouring self- and social satire... [An] impressive tour of his hothouse literary world
Randy Boyagoda
Financial Times
[In] 10:04, Lerner is saying that life is too fragmented, too multifarious to be narrowed down to one single narrative, but that doesn't mean it can't be captured, in all its heartbreaking variety, in the pages of a novel... Lerner is a great writer and 10:04 a great novel
Alex Preston
Observer
[10:04 is] contemplative and tender... Out of the ephemera of everyday life, Lerner has created a work of great artifice, knitted together by dozens of images... I doubt I'll read a finer novel this year
Jonathan Beckman
Telegraph
Brave and humane... 10:04 is deeply political because it looks imaginatively at our unequal world and creates a renewed sense of possibility about the future
Max Lui
Independent on Sunday
Much-praised, strikingly meditative
Alex Clark ‘2015 fiction round-up’
Observer
10:04 is an accomplished work, and a mature one... wonderful indeed
Jonathan Gibbs
Independent
An impressive and even entertaining book - very well-written and scarily clever
Daily Mail
A neon Rubik's Cube of a book... 10:04 reads like a collage: a scrapbook bursting with quotations, puzzles, metafictional diary entries, conversations and printed images, assembled in a future where the word "novel" has lost its original meaning, and shot back into the past where it stretches out its hand... A clever and timely work
Philip Maughan
New Statesman
10:04 is wonderfully intelligent, full of intricate formal devices, literary references and various hidden repositories of meaning... It is also a tentative, tender, and achingly uncertain story of a man becoming a father
Weekend Australian
10:04 jangles and shifts, it zigs and zags like thoughts pinging through a cerebral cortex... [it] whips along with the force of a skipping rope, taut and glimmering
Sydney Morning Herald
What you're left with is Lerner's undeniable talent. He is very clever and he can certainly mint a metaphor... but he is also a natural storyteller, winning you round to whatever new direction he has taken within a couple of sentences... I recommend that you give Lerner a whirl
Theo Tait
Sunday Times
[Lerner is] one of those writers you're really happy to have describing your world: wry, witty, always surprising... If you like language, you'll love [10:04]
Richard Godwin
Evening Standard
Lerner tiptoes between satire and sincerity to serve up a sparky comedy about the first-world problem of how to live well in the knowledge of wider suffering
Anthony Cummins
Metro
Lerner's musings are tricksy and self-referential, which could be as dull as ditchwater in the wrong hands, but here the literary fun and games are fresh and original... Brilliant, smart and entertaining
Eithne Farry
Sunday Express
10:04 exists precariously and brilliantly on the edges of several genres. Preoccupied with apocalyptic visions and with the value of art, 10:04 suggests that the future of the novel is hopeful
Prospect
A skilled and singular voice
Stoddard Martin
Jewish Chronicle
Lerner is doing something different with his metafictional plot: he's showing us, in good faith, how fiction gets written. Remarkable
Elaine Blair
London Review of Books
Rewarding
Private Eye
10:04 is a clever book. Lerner's style [...] super-confident [and] the chronology leaps about nimbly.... One has to admire the virtuosity
Brandon Robshaw
Independent on Sunday




Lerner's masterclass in metafiction breaches the boundaries between fiction and real-life, narrator and author... It's a clever, funny discourse on the processes of writing fiction
Lucy Scholes
Observer
A stunningly achieved work of narrative fiction
Cal Doyle
Irish Times
The cleverest, funniest and most absorbing novel I read all year
Edmund Gordon, Books of the Year
TLS
A deeply compelling story of male anxiety and vulnerability
Evening Standard
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