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A Dead Man in Deptford
Anthony Burgess
€ 13.99
€ 11.08
FREE Delivery in Ireland
Description for A Dead Man in Deptford
Paperback. Poet, lover and spy, Christopher Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. This title re-imagines the riotous life and suspicious death of Christopher Marlowe. It brings this dazzling figure to life and pungently evokes Elizabethan England. Num Pages: 288 pages. BIC Classification: FC. Category: (G) General (US: Trade). Dimension: 197 x 130 x 18. Weight in Grams: 210.
'One of the most productive, imaginative and risk-taking of writers... It is a clever, sexually explicit, fast-moving, full blooded yarn'
Irish Times
A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.
Product Details
Publisher
Vintage Publishing United Kingdom
Number of pages
288
Format
Paperback
Publication date
2010
Condition
New
Number of Pages
288
Place of Publication
London, United Kingdom
ISBN
9780099541394
SKU
V9780099541394
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-98
About Anthony Burgess
Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He served in the British army from 1940 to 1946 and was a schoolteacher in England before becoming a colonial education officer in 1954. His Malayan trilogy of novels and a history of English literature were published while he was living in Malaya and ... Read more
Reviews for A Dead Man in Deptford
Legendary intoxication with language and wordplay is very much in evidence as he (Burgess) evokes the raw, freewheeling spirit of the Elizabethan age
The New York Times
The story is intensely true to the surfaces and smells of Elizabethan London, and also Burgess's own final meditation on his great themes, the sexual and artistic impulses, and their end ... Read more
The New York Times
The story is intensely true to the surfaces and smells of Elizabethan London, and also Burgess's own final meditation on his great themes, the sexual and artistic impulses, and their end ... Read more