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The Color of Infamy
Cossery, Albert; Waters, Alyson
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Description for The Color of Infamy
Paperback. Translator(s): Waters, Alyson. Num Pages: 128 pages. BIC Classification: FA; FYT. Category: (P) Professional & Vocational. Dimension: 203 x 140 x 7. Weight in Grams: 108.
His eyes “shine with a glimmer of perpetual amusement”; his sartorial taste is impeccable; Ossama is “a thief, not a legitimated thief, such as a minister, banker, or real-estate developer; he is a modest thief.” He knows “that by dressing with the same elegance as the licensed robbers of the people, he could elude the mistrustful gaze of the police,” and so he glides lazily around the cafe´s of Cairo, seeking his prey. His country may be a disaster, but he’s a hedonist convinced that “nothing on this earth is tragic for an intelligent man.”
One fat victim (“everything about him oozed opulence and theft on a grand scale”) is relieved of his crocodile wallet. In it Ossama finds not just a gratifying amount of cash, but also a letter — a letter from the Ministry of Public Works, cutting off its ties to the fat man. A source of rich bribes heretofore, the fat man is now too hot to handle; he’s a fabulously wealthy real-estate developer, lately much in the news because one of his cheap buildings has just collapsed, killing 50 tenants. Ossama “by some divine decree has become the repository of a scandal” of epic proportions. And so he decides he must act. . . .
Among the books to be treasured by the utterly singular Albert Cossery, his last, hilarious novel, The Colors of Infamy, is a particular jewel.
One fat victim (“everything about him oozed opulence and theft on a grand scale”) is relieved of his crocodile wallet. In it Ossama finds not just a gratifying amount of cash, but also a letter — a letter from the Ministry of Public Works, cutting off its ties to the fat man. A source of rich bribes heretofore, the fat man is now too hot to handle; he’s a fabulously wealthy real-estate developer, lately much in the news because one of his cheap buildings has just collapsed, killing 50 tenants. Ossama “by some divine decree has become the repository of a scandal” of epic proportions. And so he decides he must act. . . .
Among the books to be treasured by the utterly singular Albert Cossery, his last, hilarious novel, The Colors of Infamy, is a particular jewel.
Product Details
Format
Paperback
Publication date
2011
Publisher
New Directions Publishing Corporation United States
Number of pages
96
Condition
New
Number of Pages
128
Place of Publication
New York, United States
ISBN
9780811217958
SKU
V9780811217958
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Cossery, Albert; Waters, Alyson
Albert Cossery (1913–2008) was an Egyptian-born French novelist. Among his works are The Colors of Infamy, A Splendid Conspiracy, and The House of Certain Death, all published by New Directions. Alyson Waters teaches at Yale and won a PEN Translation Fund Award prize for her translation of Albert Cossery’s The Colors of Infamy.
Reviews for The Color of Infamy
"Albert Cossery, who died in 2008 at age 94, ought to be a household name. He's that good: an elegant stylist, an unrelenting ironist, his great subject the futility of ambition 'in a world where everything is false.'"
David Ulin "The Colors of Infamy is more compact and assured than Proud Beggars. It doesn't indulge in as much lyricism as the earlier book, but wrenches even more startling delirium from Egypt's long years of abjection." " Beyond Cossery's stylish ironies, we glimpse a country seething in poverty and malfeasance and, like the concrete buildings his narratives are usually set in, perpetually on the verge of collapse. In fact, it is seems as if only the totality of this corruption is keeping the country together, an adhesive of turpitude permeating every social fabric. "
David Ulin "The Colors of Infamy is more compact and assured than Proud Beggars. It doesn't indulge in as much lyricism as the earlier book, but wrenches even more startling delirium from Egypt's long years of abjection." " Beyond Cossery's stylish ironies, we glimpse a country seething in poverty and malfeasance and, like the concrete buildings his narratives are usually set in, perpetually on the verge of collapse. In fact, it is seems as if only the totality of this corruption is keeping the country together, an adhesive of turpitude permeating every social fabric. "