With the concentration of poetry and the frankness of prose, Muller depicts the language of the dispossessed
Jury of the Nobel Prize for Literature Appropriately on the side of underdogs from Ceausescu's dystopia to Ukrainian labour camps ... so opening the eyes of non-German readers to new worlds. And that, from Beowulf to Muller, is a noble ... Read moreas well as a Nobel function of literature
The Times
Especially now, 20 years after the fall of the Berlin Wall, it's a beautiful signal that such high quality literature and this life experience are being honoured
Angela Merkel
[Muller's] dark, closely observed and sometimes violent work often explores exile and the grim quotidian realities of life under Ceausescu... Her sensibility is often bleak, but the detail in her fiction can whip it alive
New York Times
Graphically observed... forces the reader to confront the complex tapestry of Eastern European history in the late 20th Century. And although the author left Romania in the 1980s, she remains interested in the issues of oppression and exile, which makes her a universal writer
Razia Iqbal, BBC Arts Correspondent Muller is courageous and has summoned her surrealist imagination to brilliant effect when exposing the horrors of totalitarianism... The Passport, which was published in Berlin in 1986, months before she fled Romania, is an almost allegorical elegy of village life dominated by the need to escape.... Muller uses the quality of European folk tale to brilliant effect. Set in a German village in Romania where the people dream of a different life in the West, the story is true to any country in which fantasy is the only escape from oppression... Politics and truth-telling, the courage of the witness and the weight of the message often decides the Nobel Literature Prize; in Herta Muller all of these elements are present, yet so too is the artist as the lone voice beckoning, intent on telling a story, on shaping a word picture
Eileen Battersby
Irish Times
Muller has an eye for the surreal detail of a police state and has made it into strong, muscular literature
The Times
Praise for The Passport: A phenomenal, moving and humbling novel, perhaps the most memorable read of the autumn
Frankfurter Allgemeine Zeitung
Herta Muller's language is the purest poetry. Every sentence has the rhythm of poetry, indeed is a poem or a painting
Nurnerger Nachrichten
Herta Muller portrays a community that is breaking up, a dying village whose German inhabitants all seek to emigrate. At the centre stands the miller Windisch waiting for his passport. Bribing the mayor with sacks of flour proved in vain - so, now, in a rage of helpnessness, he has to allow his daughter to visit the militiaman and the priest, to search for passports and baptismal certificates in their beds. The dirty realities of a totalitarian state... a chilling, far-sighted and lyrical graveside speech for a sad village in a sad land
Neue Zurcher Zeitung
Praise for The Land of Green Plums: A novel of graphically observed detail in which the author seeks to create a sort of poetry out of the spiritual and material ugliness of life in Communist Romania
New York Times
A powerful autobiographical account, The Land of Green Plums... will linger on in the mind
Guardian
The Land of Green Plums is a miracle, a fearless human testimony which operates through the combined force of Muller's tight, understated eloquence
Irish Times
If W G Sebald's The Emigrants suggested there are still new ways of writing about exile and the Holocaust, The Land of Green Plums promises similar possibilities for the literature of the Iron Curtain
Literary Review
Praise for The Appointment: A brooding, fog-shrouded allegory of life under the long oppression of the regime of Nicolae Ceausescu
New York Times
[The Appointment] Muller scatters narrative bombshells across a field of dreams
San Francisco Chronicle
What heightens this bleak vision is her startling, hallucinatory use of metaphor and surreal imagery
Jessica Holland
Observer
At once spare and poetic, this novella-length tale nevertheless attains the epic ponderousness that defines recent Laureates
Hephzibah Anderson
Daily Mail
A swift, stinging narrative, fable-like in its stoic concision and painterly detail
Philadelphia Inquirer
Muller writes with elegant simplicity, in the great tradition of German storytelling - this would not look out of place in Hebel's The Treasure Chest.
Kate Saunders
The Times
Muller provides a master class in sparse, clear prose, and conveys the bleakness of humanity, with the occasional touch of dark, bitter magic - fully earning her Nobel Prize for literature this year... Often harrowing, startling, as devoid of decoration as the world she is describing, Muller's work demands to be read.
Lesley McDowell
Independent on Sunday
This short novel expands in the mind to occupy an emotional space far beyond its short length or the seeming simplicity of its story.
Tadzio Martin Koelb
TLS
The Passport, the first of her novels to be translated into English, is a stunning introduction to her jewel-like prose, hard and clear as a diamond.
Sacramento Book Review, USA
I am struck by her sparse yet poetic language...it reminds very much of our literature during apartheid, although this one is of a very high literary merit.
Zakes Mda
Sunday Independent, South Africa
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