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Cape Breton is the Thought-Control Centre of Canada
Smith, Ray. Illus: Tolmie, Ken
€ 19.99
€ 18.30
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Description for Cape Breton is the Thought-Control Centre of Canada
Paperback. Illustrator(s): Tolmie, Ken. Num Pages: 192 pages, illustrations. BIC Classification: FA; FC; FYB. Category: (G) General (US: Trade). Dimension: 216 x 140. Weight in Grams: 257.
First published in 1969, Ray Smith's Cape Breton is the Thought-Control Centre of Canada remains as refreshing, innovative and important today as it has in every previous incarnation. Sophisticated, playful, crafted, sly, self-referential and extremely funny, it marks the beginning of a long and important, if unfortunately under appreciated, career by one of Canada's best humorists and innovative story-tellers.
First published in 1969, Ray Smith's Cape Breton is the Thought-Control Centre of Canada remains as refreshing, innovative and important today as it has in every previous incarnation. Sophisticated, playful, crafted, sly, self-referential and extremely funny, it marks the beginning of a long and important, if unfortunately under appreciated, career by one of Canada's best humorists and innovative story-tellers.
Product Details
Format
Paperback
Publication date
2006
Publisher
Biblioasis Canada
Number of pages
192
Condition
New
Number of Pages
192
Place of Publication
Emeryville, Canada
ISBN
9780973818420
SKU
V9780973818420
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Smith, Ray. Illus: Tolmie, Ken
Ray Smith: A native of Mabou, Cape Breton, to which he has returned, Ray Smith lived in Montreal for forty years, where he taught English literature at Dawson College. He is the author of, among others, A Night at the Opera (winner of the 1992 Qspell Hugh MacLennan Prize for Fiction), Cape Breton is the Thought-Control Centre of Canada, Century, and most recently, The Flush of Victory: Jack Bottomly Among the Virgins, all published by Biblioasis.
Reviews for Cape Breton is the Thought-Control Centre of Canada
Ray Smith's collection "is a postmodern collage that neatly puts the boots to the kind of earnest Canadian nationalism running rampant in this country at the time."
Steven Beattie
Steven Beattie