
I Married a Communist
Philip Roth
The second novel of Roth’s eloquent American trilogy, set in the tempestuous McCarthy era - a brilliant successor to American Pastoral
I Married a Communist charts the rise and fall of Ira Ringold, an American roughneck who begins life as a ditchdigger in 1930s New Jersey, becoming a big-time radio hotshot in the 1940s. In his heyday as a star - and as a zealous, bullying supporter of 'progressive' political causes - Ira marries Hollywood's beloved leading lady, Eve Frame. Their glamorous honeymoon is short-lived, however, and it is the publication of Eve's scandalous bestselling expose that identifies Ira as 'an American taking his orders from Moscow'.
In this story of cruelty, betrayal, and savage revenge, anti-Communist fever pollutes national politics and infects the relationships of ordinary Americans; friends become deadly enemies, parents and children tragically estranged, lovers blacklisted and felled from vertiginous heights.
‘Quintessential Philip Roth’ Sunday Telegraph
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About Philip Roth
Reviews for I Married a Communist
Financial Times
Knotted with energy, barely wasting a scene or word in its cracking velocity
Mail on Sunday
One of the great political novels of our age; a card-carrying Shakespearean tragedy with New Jersey dirt beneath its fingernails
Xan Brooks
Guardian
Quintessential Philip Roth
Sunday Telegraph
A magnificent novel of ideas, a disquisition on the fallout of the death of ideology
Observer
Roth explores our expedients and tragedies with a masterly, often unnerving, blend of tenderness, harshness, insight and wit...a gripping novel
New York Times Book Review
Roth remains as edgy, as furious, as funny, and as dangerous as he was forty years ago
New York Review of Books
I Married a Communist proves that, following the success of Sabbath's Theater and American Pastoral, he remains on extraordinary form... Wonderful storytelling and characterisation
Guardian, Books of the Year
The McCarthy era has faded, eerily, into nostalgia, just as Capitol Hill produces its own 90s version of witch-hunt and communal obsession with enemies of the state, and perversions of justice perpetrated in democracy's name. Roth avoids nostalgia by making his narrator an active, if unwitting participant in the original drama, caught up in political currents and counter-currents he did not comprehend at the time
Lisa Jardine
Roth’s conflicted, many-layered characters give this work memorable force
Guardian