Enright has assembled a collection notable for its emotional range, its openness to many voices (not all lonely) and its willingness to reflect current realities. There is no conclusive formula linking such disparate narratives, no slick exploitation of Irishness, but rather a rich interplay of themes that capture a world in transition
Declan Kiberd
Irish Times
A ... Read morerich and absorbing volume, an evocation of life in Ireland which, at its finest, produces brilliantly skewering fragments written to pierce as well as gleam ... Enright's choice is a shrewd one, succeeding in typifying each writer whilst expressing their uniqueness
Tom Adair
Scotland on Sunday
A book that intoxicates you with the sheer scope and potency of the short story form
Daragh Reddin
Metro
The Granta Book of the Irish Short Story is more cherishable than canonical, and refreshingly contemporary in its selection of writers and writerly concerns
Keith Hopper
Times Literary Supplement
[Anne Enright's] witty, brilliant introduction is one of the jewels in this selection ... When making her choices she concentrated on the art rather than the Irishness, and the result is sometimes wonderfully unexpected - here are William Trevor, Colm Tóibín, Roddy Doyle, Clare Boylan and all the other geniuses, but not as you think you know them. Unmissable
Kate Saunders
The Times
In an elegant and considered introduction to this collection, [Enright] explains that these short stories are simply ones she enjoys. However, the 31 inclusions cannot but say something about Ireland ... 'A Priest in the Family' by Colm Tóibín is superb ... Edna O'Brien offers another fresh take on the sexuality of the clergy ... The further positives of The Granta Book of the Irish Short Story are too many to mention ... In this collection you encounter loners, outsiders and deeper versions of people you know; and eventually, one will say something just to you, and the mystery of the Irish short story comes as close as it can to being understood
Eithne Shortall
Sunday Times Ireland
We may not be very good at economics or honest politics, but we certainly know how to write a short story. The excellent Granta Book of the Irish Short Story, edited by Anne Enright, is a must-read.
Irish Times
Full of tales that combine lyricism, humour and tragedy by the likes of William Trevor as well as relative newcomers such as Claire Keegan and Philip Ó Ceallaigh, it is shot through with an enduring sense of place but at the same time marks the enormous social changes Ireland has undergone in the past century
Giles Foden
Conde Nast Traveller
This collection makes a bewitching bedside companion, amply illustrating that the Irish short story is very much alive and kicking
Emma Hagestadt
Lady
The collection shines with personality, studiously avoiding what the editor describes as "charm", or "God save the mark", Irish charm
Independent
From Roddy Doyle to Elizabeth Bowen, and William Trevor to Edna O'Brien, a wealth of authors are contained within this excellent collection of modern Irish short fiction
Metro
An eclectic mix of intriguing short stories ... each story leaves you hungry for the next one
Siobhan White
Big Issue in the North
This collection attempts to define the essential Irish aspects of the stories chosen ... the best pieces here serve as a prompt to find or rediscover the writers' other works
Isobel Montgomery
Guardian
An] excellent miscellany of modern short fiction from Ireland ... Throughout, the prose is economical, in the sense of being deft, not sparse ... The prevailing mode is an everyday realism of carefully observed gestures and lifelike dialogue, well adapted to the mental turmoil of lustful, lovelorn protagonists ... Wisely, the stories are arranged imaginatively, not chronologically - think mix tape, not reference work - so, unlike many anthologies, this is a book you actually want to sit down with and read
Anthony Cummins
Observer
Over 400 pages of amazing writing
Judi Curtin
Irish Daily Mail
A dazzling collection
Guardian
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