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Winter Notes on Summer Impressions
Fyodor Dostoevsky
€ 10.99
€ 9.97
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Description for Winter Notes on Summer Impressions
Paperback. Brand-new translation of one of Dostoevsky's most important early works, fully annotated. Translator(s): FitzLyon, Kyril. BIC Classification: FC. Category: (G) General (US: Trade). Dimension: 130 x 198 x 17. Weight in Grams: 160.
In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. His impressions on what he saw, Winter Notes on Summer Impressions , were first published in the February 1863 issue of Vremya (Time), the periodical he edited.
In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. His impressions on what he saw, Winter Notes on Summer Impressions , were first published in the February 1863 issue of Vremya (Time), the periodical he edited.
Product Details
Publisher
Alma Classics
Format
Paperback
Publication date
2016
Condition
New
Number of Pages
160
Place of Publication
Richmond, United Kingdom
ISBN
9781847496188
SKU
V9781847496188
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-3
About Fyodor Dostoevsky
Fyodor Dostoevsky (1821-1881) is considered one of the greatest writers of all times. His works include such seminal novels as Crime and Punishment, The Idiot and The Karamazov Brothers.
Reviews for Winter Notes on Summer Impressions
Important as an early statement of some of Dostoevsky's favourite concepts, and interesting as an example of his acid journalistic style.
The New York Review of Books
The New York Review of Books