Contemporary pop culture in Arusha, Tanzania's third-largest city, is the often-fuzzy focus of this urban ethnography. Weiss (College of William and Mary; The Making and Unmaking of the Haya Lived World, CH, Nov'96, 34-1630), an experienced and knowledgeable student of the country in the grasp of economic liberalization and globalization, tries his hand at deciphering the meaning of local culture. His selected topics are the now ubiquitous barbershops, hairstyles, gangsta rap, modes of local transport, and clothing, fashion, and media, both indigenous and imported. In a stretch, he also attempts to relate these concerns to gender relations among the young. With little in the way of evidence, the author offers explanations for these vivid cultural expressions with an emphasis on 'feelings' linked to the overall 'sensations' of inclusion and exclusion in everyday life. The discourse is often insightful but, perhaps inevitably, almost as inchoate as the subject matter itself. Summing Up: Recommended. Faculty. — Choice
W. Arens
Choice
Brad Weiss's ethnography makes a valuable contribution to the body of scholarship that documents and discusses the parts that neoliberal economic policies . . . play in creating gaps between the aspirations of youth and economic realities in Africa.
Journal of the Royal Anthropological Institute
. . . an important ethnography for interpreting the intersection of youth, masculinity, and popular culture. . . . Street Dreams provides a useful means to understand globalization and neoliberalism, particularly as it affects young men in Africa's informal economies.Vol. 52.3 Dec. 2009
Alex Perullo
Bryant University