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Nairn´s Paris: 2017
Ian Nairn
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€ 17.19
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Description for Nairn´s Paris: 2017
Hardback. .
Following on from the bestselling Nairn's Towns - a celebration of the city of Paris by cult figure Ian Nairn. Illustrated with original black and white images taken by Nairn himself. More than a guide book - this is a journey of discovery. Out of print since 1968, this is a unique guide book from the late, great architectural writer, Ian Nairn. Illustrated with the author's snaps of the city, Nairn gives his readers an idiosyncratic and unpretentious portrait of the 'collective masterpiece' that is Paris. 'Once you discover [Nairn]...you want to read everything he's written.' - Daily Telegraph
Following on from the bestselling Nairn's Towns - a celebration of the city of Paris by cult figure Ian Nairn. Illustrated with original black and white images taken by Nairn himself. More than a guide book - this is a journey of discovery. Out of print since 1968, this is a unique guide book from the late, great architectural writer, Ian Nairn. Illustrated with the author's snaps of the city, Nairn gives his readers an idiosyncratic and unpretentious portrait of the 'collective masterpiece' that is Paris. 'Once you discover [Nairn]...you want to read everything he's written.' - Daily Telegraph
Product Details
Publisher
Notting Hill Editions
Format
Hardback
Publication date
2017
Condition
New
Number of Pages
232
Place of Publication
London, United Kingdom
ISBN
9781910749494
SKU
V9781910749494
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Ian Nairn
Ian Douglas Nairn (1930-1983) was a British architectural critic and topographer. He coined the term 'subtopia' for the areas around cities that had in his view been failed by urban planning, losing their individuality and spirit of place. Andrew Hussey is Professor of Cultural History at the School of Advanced Study, University of London. He lives in Paris.
Reviews for Nairn´s Paris: 2017
You could see that Nairn was made of equal parts of amiability and disagreeableness, that he could swoon, but only over the very finest things; that he could take joy in the most ordinary streetscape if it could be shown to make daily life better; and that he could always be counted on to prefer the work of an eccentric ... Read more