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The First Modern Jew: Spinoza and the History of an Image
Daniel B. Schwartz
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Description for The First Modern Jew: Spinoza and the History of an Image
Hardback. Provides a look at how Spinoza went from being one of Judaism's most notorious outcasts to one of its most celebrated, if still highly controversial, cultural icons, and a powerful and protean symbol of the first modern secular Jew. This book chronicles Spinoza's posthumous odyssey from marginalized heretic to hero. Num Pages: 288 pages, 10 halftones. BIC Classification: 1D; HPCD. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 239 x 166 x 24. Weight in Grams: 542.
Pioneering biblical critic, theorist of democracy, and legendary conflater of God and nature, Jewish philosopher Baruch Spinoza (1632-1677) was excommunicated by the Sephardic Jews of Amsterdam in 1656 for his "horrible heresies" and "monstrous deeds." Yet, over the past three centuries, Spinoza's rupture with traditional Jewish beliefs and practices has elevated him to a prominent place in genealogies of Jewish modernity. The First Modern Jew provides a riveting look at how Spinoza went from being one of Judaism's most notorious outcasts to one of its most celebrated, if still highly controversial, cultural icons, and a powerful and protean symbol of the first modern secular Jew. Ranging from Amsterdam to Palestine and back again to Europe, the book chronicles Spinoza's posthumous odyssey from marginalized heretic to hero, the exemplar of a whole host of Jewish identities, including cosmopolitan, nationalist, reformist, and rejectionist. Daniel Schwartz shows that in fashioning Spinoza into "the first modern Jew," generations of Jewish intellectuals--German liberals, East European maskilim, secular Zionists, and Yiddishists--have projected their own dilemmas of identity onto him, reshaping the Amsterdam thinker in their own image. The many afterlives of Spinoza are a kind of looking glass into the struggles of Jewish writers over where to draw the boundaries of Jewishness and whether a secular Jewish identity is indeed possible. Cumulatively, these afterlives offer a kaleidoscopic view of modern Jewish cultureand a vivid history of an obsession with Spinoza that continues to this day.
Product Details
Format
Hardback
Publication date
2012
Publisher
Princeton University Press
Number of pages
288
Condition
New
Number of Pages
288
Place of Publication
New Jersey, United States
ISBN
9780691142913
SKU
V9780691142913
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Daniel B. Schwartz
Daniel B. Schwartz is assistant professor of history at George Washington University.
Reviews for The First Modern Jew: Spinoza and the History of an Image
Co-Winner of the 2012 Salo Wittmayer Baron Prize, American Academy for Jewish Research Finalist for the 2012 National Jewish Book Award in History "We have long needed a thorough and careful study of the various ways in which Spinoza has been appropriated by Jewish causes and movements. Daniel Schwartz's welcome book takes a close look for the first time at what the author calls 'the rehabilitation of Spinoza in Jewish culture.'"
Steven Nadler, Times Literary Supplement "Whether Baruch Spinoza was 'the first modern Jew,' as the title of this outstanding volume suggests, has been a subject of continuing debate... Schwartz displays admirable versatility in tracing the idolizations, disputes, and ambivalences evoked by Spinoza in Germany (Moses Mendelssohn and Berthold Auerbach) and eastern Europe (Salomon Rubin), within Zionism (Yosef Klausner), and in Yiddish literature (Isaac Bashevis Singer)... Essential."
M. A. Meyer, Choice "[P]assionate arguments, of the kind now richly documented by Schwartz, about Spinoza's Jewishness and his relevance to our times, still enrich and enrage ... and probably will continue to do so
without end."
Allan Nadler, Forward.com "This is the first full-scale history of Spinoza's reception among Jews... [I]t clearly demonstrates how this excluded philosopher could be viewed as religious or secular, as more Baruch or more Benedict, but almost necessarily as a touchstone in defining Jewish identity in the modern age."
Choice "With extensive and helpful notes, an index and a bibliography, this work is highly recommended for all academic collections that deal with Jews and Judaism in the modern age."
Marion M. Stein, Classical World "Schwartz has written a superb study that not only presents Spinoza as a thinker who fits uneasily into the modernist categories of 'religious' and 'secular': he has also composed a daring challenge to the popular interpretation of the modern age as a purely secular affair that left religion behind over 300 years ago."
Grant Havers, European Legacy
Steven Nadler, Times Literary Supplement "Whether Baruch Spinoza was 'the first modern Jew,' as the title of this outstanding volume suggests, has been a subject of continuing debate... Schwartz displays admirable versatility in tracing the idolizations, disputes, and ambivalences evoked by Spinoza in Germany (Moses Mendelssohn and Berthold Auerbach) and eastern Europe (Salomon Rubin), within Zionism (Yosef Klausner), and in Yiddish literature (Isaac Bashevis Singer)... Essential."
M. A. Meyer, Choice "[P]assionate arguments, of the kind now richly documented by Schwartz, about Spinoza's Jewishness and his relevance to our times, still enrich and enrage ... and probably will continue to do so
without end."
Allan Nadler, Forward.com "This is the first full-scale history of Spinoza's reception among Jews... [I]t clearly demonstrates how this excluded philosopher could be viewed as religious or secular, as more Baruch or more Benedict, but almost necessarily as a touchstone in defining Jewish identity in the modern age."
Choice "With extensive and helpful notes, an index and a bibliography, this work is highly recommended for all academic collections that deal with Jews and Judaism in the modern age."
Marion M. Stein, Classical World "Schwartz has written a superb study that not only presents Spinoza as a thinker who fits uneasily into the modernist categories of 'religious' and 'secular': he has also composed a daring challenge to the popular interpretation of the modern age as a purely secular affair that left religion behind over 300 years ago."
Grant Havers, European Legacy