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The Restoration of Paintings in Paris, 1750-1815
Noemie Etienne
€ 70.98
€ 55.15
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Description for The Restoration of Paintings in Paris, 1750-1815
Paperback. Num Pages: 384 pages. BIC Classification: 1DDF; 3JF; 3JH; ABC; AFC. Category: (P) Professional & Vocational. Dimension: 180 x 255 x 21. Weight in Grams: 934.
The decades following the 1973 publication of Alessandro Conti's Storia del Restauro have seen considerable scholarly interest in the development of restoration in France in the second half of the eighteenth century. A number of technical treatises and biographies of restorers have offered insight into restoration practice. The Restoration of Paintings in Paris, 1750-1815, however, is the first book to situate this work within the broader historical and philosophical contexts of the time. Initial chapters present the diversity of restoration practice, encompassing not only royal institutions and the Louvre museum but also private art dealers, artists, and ... Read more
The decades following the 1973 publication of Alessandro Conti's Storia del Restauro have seen considerable scholarly interest in the development of restoration in France in the second half of the eighteenth century. A number of technical treatises and biographies of restorers have offered insight into restoration practice. The Restoration of Paintings in Paris, 1750-1815, however, is the first book to situate this work within the broader historical and philosophical contexts of the time. Initial chapters present the diversity of restoration practice, encompassing not only royal institutions and the Louvre museum but also private art dealers, artists, and ... Read more
Product Details
Publisher
Getty Trust Publications
Format
Paperback
Publication date
2017
Condition
New
Weight
934g
Number of Pages
384
Place of Publication
Los Angeles, United States
ISBN
9781606065167
SKU
V9781606065167
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Noemie Etienne
Noemie Etienne is currently a fellow at the Getty Research Institute. Beginning in September 2016 she will be Swiss National Science Foundation Professor of Art History at the University of Bern.
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