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The First Panoramas: Visions of British Imperialism
Denise Blake Oleksijczuk
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Description for The First Panoramas: Visions of British Imperialism
Paperback. Num Pages: 264 pages, 73 b&w illustrations. BIC Classification: 1DBK; 3JF; ACVT; HBJD1; HBTB. Category: (G) General (US: Trade). Dimension: 252 x 218 x 15. Weight in Grams: 638.
The First Panoramas is a cultural history of the first three decades of the panorama, a three-hundred-sixty-degree visual medium patented by the artist Robert Barker in Britain in 1787. A towering two-story architectural construction inside which spectators gazed on a 10,000-square-foot painting, Barker’s new technology was designed to create an impression of total verisimilitude for the observer.
In the beautifully illustrated The First Panoramas, Denise Blake Oleksijczuk demonstrates the complexity of the panoramas’ history and cultural impact, exploring specific exhibits: View of Edinburgh and the Adjacent Country from the Calton Hill (1788), View of London from the Roof of ... Read more (1791), View of the Grand Fleet Moored at Spithead (1793), and the two different versions of View of Constantinople (1801). In addition to the art itself, she examines the panoramas’ intriguing descriptive keys—single-sheet diagrams that directed spectators to important sites in the representation, which evolved over time to give the observer greater perceptual control over the view.
Using the surviving evidence, much of it never published before, on the early exhibitions of these massive installations, Oleksijczuk reconstructs the relationships between specific paintings, their accompanying printed guides, and the collective experiences of different audiences. She argues that by transporting its spectators to increasingly distant locations, first in the city and country and then in the world beyond Britain’s borders, the panorama created a spatial and temporal disjunction between “here” and “there” that helped to forge new national and social identities. Show Less
The First Panoramas is a cultural history of the first three decades of the panorama, a three-hundred-sixty-degree visual medium patented by the artist Robert Barker in Britain in 1787. A towering two-story architectural construction inside which spectators gazed on a 10,000-square-foot painting, Barker’s new technology was designed to create an impression of total verisimilitude for the observer.
In the beautifully illustrated The First Panoramas, Denise Blake Oleksijczuk demonstrates the complexity of the panoramas’ history and cultural impact, exploring specific exhibits: View of Edinburgh and the Adjacent Country from the Calton Hill (1788), View of London from the Roof of ... Read more (1791), View of the Grand Fleet Moored at Spithead (1793), and the two different versions of View of Constantinople (1801). In addition to the art itself, she examines the panoramas’ intriguing descriptive keys—single-sheet diagrams that directed spectators to important sites in the representation, which evolved over time to give the observer greater perceptual control over the view.
Using the surviving evidence, much of it never published before, on the early exhibitions of these massive installations, Oleksijczuk reconstructs the relationships between specific paintings, their accompanying printed guides, and the collective experiences of different audiences. She argues that by transporting its spectators to increasingly distant locations, first in the city and country and then in the world beyond Britain’s borders, the panorama created a spatial and temporal disjunction between “here” and “there” that helped to forge new national and social identities. Show Less
Product Details
Format
Paperback
Publication date
2011
Publisher
University of Minnesota Press United States
Number of pages
264
Condition
New
Number of Pages
264
Place of Publication
Minnesota, United States
ISBN
9780816648610
SKU
V9780816648610
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Denise Blake Oleksijczuk
Denise Blake Oleksijczuk is assistant professor at the School for the Contemporary Arts at Simon Fraser University, Vancouver.
Reviews for The First Panoramas: Visions of British Imperialism
"During the last decade the new field of panorama studies has achieved a great deal, though many accounts of this important and elusive form of visual representation are still marked by misleading generalizations. Denise Blake Oleksijczuk’s impressive The First Panoramas carries panorama research to a new level of material and historical specificity. Clearly it is a work that will be ... Read more