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The Writing of Anxiety: Imagining Wartime in Mid-Century British Culture (Language, Discourse, Society)
Lyndsey Stonebridge
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Description for The Writing of Anxiety: Imagining Wartime in Mid-Century British Culture (Language, Discourse, Society)
Hardcover. This study suggests that it was the representation of anxiety, rather than trauma and memory, that emerged most forcefully in mid-century wartime culture. Thinking about anxiety, Lyndsey Stonebridge argues, was a way of imagining how it might be possible to stay within a history that frequently undermined a sense of self and agency. Series: Language, Discourse, Society. Num Pages: 184 pages, illustrations. BIC Classification: 1DBK; 2AB; DSA; DSBH; HBTB; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 219 x 162 x 15. Weight in Grams: 338.
This study suggests that it was the representation of anxiety, rather than trauma and memory, that emerged most forcefully in mid-century wartime culture. Thinking about anxiety, Lyndsey Stonebridge argues, was a way of imagining how it might be possible to stay within a history that frequently undermined a sense of self and agency.
This study suggests that it was the representation of anxiety, rather than trauma and memory, that emerged most forcefully in mid-century wartime culture. Thinking about anxiety, Lyndsey Stonebridge argues, was a way of imagining how it might be possible to stay within a history that frequently undermined a sense of self and agency.
Product Details
Format
Hardback
Publication date
2007
Publisher
Palgrave Macmillan
Number of pages
184
Condition
New
Series
Language, Discourse, Society
Number of Pages
173
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230013278
SKU
V9780230013278
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Lyndsey Stonebridge
LYNDSEY STONEBRIDGE is Senior Lecturer in English at the University of East Anglia, UK. Her publications include The Destructive Element: British Psychoanalysis and Modernism, Reading Melanie Klein (edited with John Phillips), and British Fiction After Modernism: The Novel at Mid-Century (edited with Marina Mackay).
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