No Place of Rest: Jewish Literature, Expulsion, and the Memory of Medieval France
Susan L. Einbinder
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Description for No Place of Rest: Jewish Literature, Expulsion, and the Memory of Medieval France
Hardback. No Place of Rest pursues the literary traces of the traumatic expulsion of Jews from France in 1306. Through careful readings of liturgical, philosophical, memorial, and medical texts, Susan Einbinder reveals how medieval Jews asserted their identity in exile. Series: The Middle Ages Series. Num Pages: 280 pages, 2 illus. BIC Classification: HBG; HBJD; JFSR1. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 28. Weight in Grams: 567.
When King Philip VI expelled the Jews in 1306, some 100,000 men, women, and children were driven from royal France into the neighboring lands of Spain, Provence, Italy, and North Africa. The great expulsion of 1306 was arguably one of the most traumatic moments of medieval Jewish history and would prove to be the harbinger of a series of recalls and expulsions, local and general, culminating in King Charles VI's expulsion decree of 1394.
Despite the upheavals of the fourteenth century, the literary productivity of Jews was astonishing. Yet there are few direct references to the catastrophic events of ... Read more
Product Details
Format
Hardback
Publication date
2008
Publisher
University of Pennsylvania Press
Condition
New
Series
The Middle Ages Series
Number of Pages
280
Place of Publication
Pennsylvania, United States
ISBN
9780812241150
SKU
V9780812241150
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Susan L. Einbinder
Susan L. Einbinder is Professor of Hebrew Literature at Hebrew Union College. She is author of Beautiful Death: Jewish Poetry and Martyrdom in Medieval France.
Reviews for No Place of Rest: Jewish Literature, Expulsion, and the Memory of Medieval France
"A sophisticated and beautifully written book. With it, Einbinder arguably becomes the leading literary scholar of medieval French Jews. What is unique about her contribution is that it easily transcends literary historical study per se. Her work embodies what is critical to the success of the new medievalism: Einbinder negotiates or, more precisely, ignores the conventional boundaries between discourses and ... Read more