Shakespeare and the American Musical
Irene G. Dash
Irene G. Dash explores the influence of Shakespeare on American musical theater through analyses of five important productions from 1938 through 1971—The Boys from Syracuse (The Comedy of Errors), Kiss Me, Kate (Taming of the Shrew), West Side Story (Romeo and Juliet), Your Own Thing (Twelfth Night), and Two Gentlemen of Verona. Dash argues that adaptations of Shakespeare were instrumental in the alteration of the musical theater formula from the stock plots and song forms of the 1930s musical comedy to the more organic "integrated musical," where songs and dance sequences were used to advance the plot rather than break the action. In bringing together these well-known works, Dash offers a fresh look at the development of American musical theater and a new understanding of Shakespeare in the modern American context.
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About Irene G. Dash
Reviews for Shakespeare and the American Musical
Theatre Survey
[Dash] has done an excellent job in giving new insights into Shakespeare and the American musical.Spring/Summer 2010
The Shakespeare Newsletter
[Dash] has done a superb job of exploring her source materials and provides excellent details on the genesis and development of each musical. Good illustrations, fine documentation, and a bibliography are assets. . . . Recommended.August 2010
Choice
[Dash] has made a convincing case for seeing Bard-inspired works as vital in the devlopment of the 20th century's 'organic' or integrated musical in which song, dance and multimedia drive the plot. Summer 2010
CUNY Matters